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The Chemical Brothers

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FURTHER

THE NEW ALBUM RELEASED 7TH JUNE ON FREESTYLE DUST / PARLOPHONE RECORDS


It starts with what sounds like an alien morse code transmission; Earth bound signals bouncing off the side of orbiting space debris. Snatches of voices found out in the ether cut through the machine fog, drifting across burbling analogue equipment lovingly kept working long after supposed sell-by date. By the time the click and thump of snare and bass drum arrive, the sounds are all-encompassing, swirling around you with dizzying, disorientating effect. Noises come untethered by constraints of volume, seemingly leaping from the speakers with a life of their own. For a band used to dealing in psychedelics, this time round The Chemical Brothers have really pushed the proverbial envelope.

The Chemical Brothers release their seventh studio album, "Further", in June 2010. This album is the band's first to be released with corresponding films made specifically to match each of the 8 audio tracks.

Nearly three years on from the release of their fifth consecutive UK Number 1 "We Are The Night", "Further" sees Tom Rowlands and Ed Simons explore the boundless possibilities of their sound. Taking a trip through four decades of electronic noise, Tom & Ed have taken the template set up with their occasional "Electronic Battle Weapon" releases and allowed them to mutate gloriously into an entire album. Voice samples and snatches of vocals are woven through tracks to create a record that ebbs and flows like one of the band's legendary live sets. Here, West Coast power pop harmonies sit beside German Motorik rhythms while Valentines-esque sonic manipulations plane across the top of early house basslines. "Further" is the culmination of nearly two decades of psychedelic exploration, an immersive collection that finds The Chemical Brothers at their least-restrained and most-melodic best.

As well as an eight-track album, "Further" is the band's first proper partnership with long-time visuals collaborators Adam Smith and Marcus Lyall. Now as respected TV and film director (recently having completed the first episode of the forthcoming series of Doctor Who) Adam - aka Flat Nose George - has been responsible for creating the visual backdrop for every Chemical Brothers gig since their live debut in 1994. Visuals for "Further" have been created to correspond with each track on the album and have been planned during the recording of the record.

The band's four shows running from the 20th - 23rd May at the Roundhouse (which sold out in record time) and gigs at Sonar Festival and selected festivals in Europe will see the band play the album and Smith and Lyall's new films in their entirety. These will only be seen in sequence at those gigs. The Roundhouse shows will be the first chance to hear the album anywhere. After the gigs, the films will feature on a special edition DVD release and on iTunes LP.
 
[ame]http://www.youtube.com/watch?v=6GqRsmffeVI[/ame]
 
Electronic veterans the Chemical Brothers have some great videos in their portfolio-- "Star Guitar", "Let Forever Be", "Out of Control". Their new clip for "Swoon", from directors Flat Nose George, isn't up to those astronomical heights, but it does have a stoned M.O. not too far away from something like "Star Guitar". All those brightly-colored silhouettes moving through empty space would've felt right at home on MTV's "Amp" back in the day.

"Swoon" is from the new Chems album Further, due June 8 from Freestyle Dust/Astralwerks in the U.S. and June 17 in the UK via Freestyle Dust/Parlophone. The single is out May 9 in the UK.
 
[ame]http://www.youtube.com/watch?v=CCp_3zw-CxA[/ame]
 
[ame]http://www.youtube.com/watch?v=Tt-Ayauei3s[/ame]
 
Chemical Brothers Go 'Further' With Multimedia Album

The Chemical Brothers' seventh studio album marks a return to their original form in a lot of ways: psychedelic swirls, four-on-the-floor beats, the absence of vocals by all-star guests. But "Further" (Freestyle Dust/Astralwerks, June 22) is also a concept-driven multimedia experience that aims to expand how their fans engage with their work using, in part, the multiweek iTunes Pass program.

"They really wanted to throw out the rule book and present their music in a different way," Astralwerks GM Glenn Mendlinger says.

Production partners Tom Rowlands and Ed Simons, who have worked together for 16 years, enjoyed a sizable hit with 2005's "Galvanize." The pair's collaboration with Q-Tip peaked at No. 3 on the U.K. singles chart, backed a Budweiser Select ad campaign and won a Grammy Award for best dance recording. The album that spawned the single, "Push the Button," won the Grammy for best electronic/dance album.

But the eight tracks featured on "Further" more closely resemble the Chemical Brothers' first wave of work: the bombastic, electronic sounds that launched the Big Beat mini-movement of the mid-'90s. In another nod to the duo's origins, the tracks were conceived alongside matching visual shorts created by longtime Chems visualists Adam Smith and Marcus Lyall.

Since the act burst onto the live scene in 1994, Smith and Lyall have conceived the group's accompanying images. The combination of trippy sights and sounds has made the act one of the top festival draws in the world. But its work on "Further" is "a lot more filmic and epic," Mendlinger says. "It's what you'd see at a classic electronic show but so much more widescreen. It has a beginning and an end."

Rowlands and Simons wanted to keep the entire experience-aural and visual-as unified as possible. "The strategy was to contain the music as long as they could, tease out the visuals and then present in full regalia," Mendlinger says. After servicing white labels of album cut "Escape Velocity" to a limited group of club DJs and tastemakers, and distributing the music and video for first single "Swoon" to press and digital outlets, the Chemical Brothers premiered the whole show during a four-night stint at London's 3,300-capacity Roundhouse, starting May 20.

To keep things similarly in check at retail, the band is using the iTunes Pass program. Designed for career artists with a dedicated fan base and a good amount of original material supporting a new album, the Pass allows fans to buy not only the album but also a spate of exclusive rarities, rolled out across multiple weeks.

For $12.99, Chems disciples will receive four weeks of fresh content. The rollout begins June 8 with a 51-minute film representing all the music and visuals, nonindexable to ensure that fans watch it in order as intended. That will be followed June 15 by a 20-minute "making of" documentary; the official release of the entire album June 22, including an extensive image gallery; and an unreleased track, "Pourquoi," June 29.

The Chems will hit the United States for a two-week, big-venue tour, headlining the Hollywood Bowl Aug. 29 and New York festival Electric Zoo Sept. 4. And according to their manager Robert Linney, the duo will be back on the road next year. "Without giving the game away," Linney says, "the plan is to appear at the more obvious festivals in 2011."

http://www.billboard.com/#/news/chemical-brothers-go-further-with-multimedia-1004095724.story
 
First Listen: The Chemical Brothers, 'Further'

n the golden age of the "Big Beat" movement, which featured producers like The Prodigy, Propellerheads and Fatboy Slim, The Chemical Brothers seemed poised to bring Britain's chart-topping tracks to the U.S. and usher in a dance-music revolution in America. The sub-genre's breakbeat rhythms, which favor a syncopated and polyrhythmic format over the "four on the floor" structure of house, had much in common with the hip-hop beats coming out of America at the time. Plus, the guitar leads and vocals sounded an awful lot like the alternative rock being played on the radio. So Big Beat ended up being America's next big thing, right? Kind of, sort of, not really.

The Chemical Brothers always had a knack for eclecticism. On earlier albums, tracks like "Block Rockin' Beats" flexed a hip-hop vibe, while "Chemical Beats" employed acid synths for a psychedelic feel and Oasis singer Noel Gallagher's vocals in "Setting Sun" situated a rock lead over a break rhythm. The Chemical Brothers continuously broke down conventionality in electronic music by drawing from a broad landscape of sounds and influences.

TRACK LIST

1. "Snow"

2. "Escape Velocity"

3. "Another World"

4. "Dissolve"

5. "Horse Power"

6. "Swoon"

7. "K+D+B"

8. "Wonders of the Deep"

The duo's newest album, Further, continues in this tradition, arriving in the middle of what seems to be a second coming of dance music in America: Charts are flooded with electronically produced compositions whose fast tempos are shaped for the dance floor. With Further, The Chemical Brothers' members offer a sensory workout, complete with a series of videos to complement the tracks. The album opens with dissonant radio feedback set against a candied voice that sings, "Your love keeps lifting me," and then melds into the second track before giving way to an ominous house beat. This opening sequence lays the groundwork for a psychedelic foray into the crevices of Big Beat and dance. Tracks like "Another World" rely heavily on overarching sweeps of sound, whereas "Horse Power" employs pointed repetition and sinister samples for an entirely different effect. Though we may never see Big Beat's big break in America, The Chemical Brothers' members continue to put out genre-bending productions that top my personal charts.

Hear Further in its entirety here until its release on June 22.

http://www.npr.org/templates/story/story.php?storyId=127474663
 
[ame]http://www.youtube.com/watch?v=rFpeLlmfZ0w[/ame]
 
The Chemical Brothers Headline Ultra Music Festival 2011

​If the news of Rökysopp or Crystal Castles didn't get you excited about this year's three-day Ultra Music Festival, the news of UK big beat legends, the Chemical Brothers, being added to the lineup will. An inside source at the festival confirmed that the duo will be headlining next year's festival -- their first ever LIVE performance at the event. They also let us know that the full Phase 1 lineup would be announced very soon.

Tom Rowlands and Ed Simons are best known for their '90s album trifecta -- Exit Planet Dust, Dig Your Own Hole, and Surrender -- which cemented their status as electronic music icons. Subsequent releases after the turn of the century never matched success of the first three, but their latest release, Further, is being called a true return to form.

In other words, if you are a dance music fanatic, you are probably peeing yourself right now. General admission tickets are still available for $179.95.

http://www.ultramusicfestival.com/tickets
 
The Chemical Brothers To Release Film Score For 'Hanna'


The Chemical Brothers have scored the soundtrack for the upcoming film "Hanna," set to be released Apr. 8. The soundtrack, which will be released digitally on iTunes Mar. 15, features 20 tunes complementing the story of the film's character Hanna (played by Saoirse Ronan) as she is chased across Europe.
 
It's kinda funny, but I hated them for years simply because of "Block Rockin' Beats". Then, one day while on Youtube, I came across "Lost In The K Hole", and I liked it so much I bought the entire "Dig Your Own Hole" album. Other than that cute song, it didn't get much play.

Then, one morning after getting home from a party, I put my earphones on, queued the CD, took a few bumps, and drifted away. The experience was incredible.

I now own every single one of their albums :)

This is by far my favourite track of theirs:

 
the beth orton collaborations are amongst m favorites:

[ame]http://www.youtube.com/watch?v=uO8vSQb9QTU[/ame]
 
Yup... I have to say, though, I was disappointed in their latest album. Other than the first track, it really didn't appeal to me.

The vid with objects floating down through water was kind of neat, though.
 
After a couple listens, I'm not too fond of much of this new record so far. I'll keep trying. Might need the right mood to appreciate it. Maybe pop it in my iPod Shuffle for a run. It certainly has a ton of energy. "I'll See You There" reminds me of their more psychedelic material from Surrender, which is my favorite.

Loved their first three records, even Come With Us was pretty great. I can't think of a thing they've done since "Galvanize" though.
 
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