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The Fabelmans

rareboy

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I know this should probably be in entertainment...but not since Fanny and Alexander have I see a movie virtuoso open up their life so beautifully to the people who watch their films.

Maybe Spielberg is no Bergman...and Bergman was no Spielberg...but if you haven't seen it...give it a watch and hopefully enjoy a look inside the forces that made one of the great story tellers of our time.
 
I know this should probably be in entertainment...but not since Fanny and Alexander have I see a movie virtuoso open up their life so beautifully to the people who watch their films.

Maybe Spielberg is no Bergman...and Bergman was no Spielberg...but if you haven't seen it...give it a watch and hopefully enjoy a look inside the forces that made one of the great story tellers of our time.

Cool! I have plans to watch it this Friday. Now I am excited! :luv2:
 
I'm still not rooting for it against Everything Everywhere All at Once, though.

Not for Michelle Williams, either, as much as I love her work. She'll have other chances to get Oscars.
(Same for Cate Blanchett, her extraordinary achievement as Linda Tarr Lydia Tár notwithstanding. Michelle Yeoh may never have another chance.)
 
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Thank you for this wonderful movie recommendation.

It really starts with one of the greatest questions anyone could ask, "how well do I really know myself?".

 
Leah Adler, Stephen Spielberg's late mother, used to have a kosher restaurant not far from where my partner and I live on the westside of Los Angeles. We had driven by a number of times and were curious about the place, but never enough to be inspired to eat there. Finally, one evening we were in the neighborhood and decided to try it out. Walking in, we were greeted by a headshot of the famous director placed directly opposite the entrance door, mounted above a potted plant. Seconds later, a woman rushed over and, after greeting us, said, "Of course you know who my son is." Not wanting to admit that we had come to the restaurant primarily because of its association with him, nor wishing to acknowledge any interest in a local film industry bigwig, I answered with my best innocent expression and tone, "No." Pointing to his picture, she then responded, "Why, it's Stephen Spielberg. You must know who he is."

She then accompanied us to a semi-circular Naugahyde-upholstered booth, sat down next to me and proceeded to tell us her life history, or at least elements of her life story from Stephen's birth through her divorce and marriage to the man who was husband's best friend, and so on. And so on, up to the present day. Reading between the lines, it was obvious she thought Stephen needed to pay more attention to her, damned with faint praise his wife, and complained that he has never really helped his sister--an aspiring screenwriter--break into the movie business. We also learned that Stephen had bought an apartment for her in a Wilshire Boulevard high-rise in Westwood, but in one of the lesser buildings, and only on the third floor. There was more, much more. She wandered off for a while, sat at other tables, came back after our food had arrived, and we heard yet more, including that she thought she was a very selfish woman. She had lived for herself, caring little for any damage she caused on the way...and that, despite this, all had turned out well in the end.

We quickly came to realize that the restaurant was her living room, and we were her latest guests. I can't recall she showed any interest in us, but we didn't mind--she was enough of a character, enough of a show, that we were happy to sit back and listen, smile and nod. We sometimes muse about the evening, happy to have had the experience. We were never inspired to return.

A few evenings ago, I heard an interview with John Williams, the composer with whom Spielberg has most often (always?) worked. He spoke with great affection about Spielberg's parents, adding that Mrs. Adler was an excellent pianist and had not pursued a professional career in music in order to be a wife and mother. Sadly, we heard nothing of this during the evening we spent at her restaurant. It would have been interesting to talk classical music with her.
 
A few evenings ago, I heard an interview with John Williams, the composer with whom Spielberg has most often (always?) worked.

Not always, alas. For The Color Purple, he chose Quincy Jones, whose saccharine score nearly ruined the movie.

I can remember a couple of scenes, notably when Celie and her sister were first separated, that would have ripped my heart out if they hadn't been accompanied by maudlin strings. And I remember noticing that the scene where Celie finally talks back to Mister, and Sofia laughs, and then speaks for the first time since she got out of prison, was more effective than anything preceding it had been, and I realized that this was because there was no music playing.

By the way, how was Ms. Adler's food?
 
Just got home from watching Steven Spielberg's latest film, The Fabelmans. Another great film by Steven Spielberg. I always admire his works, and he did it again and proves that he's a wonderful filmmaker. I love and enjoyed the film. Spielberg is definitely in my top 5 all-time directors and storytellers ❤️📽️(y):)
 
It reminded me of a much less complicated, but equally loving/wistful/clear eyed look back at childhood... Fanny and Alexander.
 
I was blown away by this movie when I saw it around 10 years old. Road rage turned into drama. I LOVE it ❤️ (y)

I did some homework. Duel was originally a television Movie of the Week based upon a short story by Richard Matheson. The film was shot in 13 days and was televised only 10 days later. It was later extended by 15 minutes for theatrical release with added footage also filmed by Spielberg.

In my head, I can still hear the truck screaming at the end.

It's available on YouTube. It's been a while since I've seen it. I might give it a watch this weekend.
 
I did some homework. Duel was originally a television Movie of the Week based upon a short story by Richard Matheson. The film was shot in 13 days and was televised only 10 days later. It was later extended by 15 minutes for theatrical release with added footage also filmed by Spielberg.

In my head, I can still hear the truck screaming at the end.

It's available on YouTube. It's been a while since I've seen it. I might give it a watch this weekend.

Thank you for reminding me of this movie. I will watch it again. I just found the Blu-ray for 6 bucks at amazon.

I know it was made for TV. My brother introduce me to Spielberg through this movie and I have been fascinated by his work since then.

I found it on YouTube. Thank you very much :)(y)
 
What most people have forgotten, is that in 1993, when Spielberg won the Oscar for Schindler's List, he also was heavily involved in Jurassic Park :=D:
 
What most people have forgotten, is that in 1993, when Spielberg won the Oscar for Schindler's List, he also was heavily involved in Jurassic Park :=D:


I felt like Schindler's List was five-sixths of a great movie that frittered away a lot of its greatness in the last 20 minutes.
 
By the way, I posted a Best Actress Oscar thread in the Entertainment forum and nobody replied. Should I put it here in Hot Topics instead?
 
Have you ever seen Duel? It's quite literally Man vs. Machine.

I remember being totally blown away by this movie when I first saw it on television as a kid.

Still gives me chills.
 
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