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Ask Me Anything About Opera ?

I haven't been to the Met - it looks huge. I liked the intimacy and classical design of the San Francisco Opera House, but I also liked Jones Hall in Houston, which and movable ceiling that can adjust for various acoustics. I went on a tour of Jones Hall, and they showed how the hexagonal columns in the ceiling can move up and down to create different effects. It was very innovative for when it was built (1966). The good thing about SF is that you don't need opera glasses to see the stage. The one opera house I would most like to visit is the one in Sydney.

I have a particular interest in German opera, having German heritage. I studied German opera in university as part of my German degree. We were taught that Mozart had his operas in Italian because it was the style of the time, it's easier to rhyme, and it sounds prettier. But by the time of Wagner, sounding pretty was less of an issue for his operas, which I do appreciate very much. I also like "Tales of Hoffman" by Offenbach, but mainly because I like the writings of Hoffman, but being part French, I like Saint-Saens - "Samson et Dalila", both which I saw in SF.

We were taught in German class that the audience basically could not understand the libretto, and so it did not make that much difference what language it was in. My mother took me to see "Madame Butterfly" when I was eight, and I knew exactly what was going on, despite not knowing the language. She took me to a lot of operas because my father refused to go, even though my mother was a trained opera singer and had majored in music in college. I had a great aunt in Lubbock who had been an opera singer in New York, until she met my great uncle, who was president of a bank in Lubbock that he had started. When uncle died, Aunt Louise could not wait to get back to New York and left my cousins to fight over controlling interest in the bank.

At what age did you see your first opera?
 
](*,)](*,)

During W.W. II, 1942, Joseph Stalin in Russia, attacked Dmitri Shostakovich, for the second time, for the music he wrote.

The two pieces that he singled out were two operas that Shostakovich had written - The Macbeth of Mtsensk and The Nose.

Basically since then they have not been performed very much.

I attended a concert where music from the operas was played and it was most interesting.

I was wondering if you knew very much about these two operas and what you could share with us regarding them.

also what is your opinion of listening to and watching operas performed in Russian?

thanks,

eM.:(
 
Two questions what is the diffrence between an opera and operetta? two the chous what is you all time favorite choral piece in an opera. Mine is even thought have never seen it's The Prologue from Mesfistofele by Boito every time I hear it I see heaven opening up to me and the just as sudden the door slams shut and I am thrust away back to earth. I tried to find it on youtube no luck..... I did find a lot of Opera Paraody though.
 
Have you ever been to the Sydney Opera House? It's external appearance is striking, to say the least, but I don't know much about the Opera Theatre itself. Is it generally regarded by opera singers as a 'good' theatre to perform in?
 
"He who can, does. He who cannot, teaches."

George Bernard Shaw: "Man And Superman".

;)
 
Peto, are you as thrilled as I am that that elitist pompous prick Richard Bradshaw went on ahead of us?:p
 
](*,)](*,)

During W.W. II, 1942, Joseph Stalin in Russia, attacked Dmitri Shostakovich, for the second time, for the music he wrote.

The two pieces that he singled out were two operas that Shostakovich had written - The Macbeth of Mtsensk and The Nose.

Basically since then they have not been performed very much.

I attended a concert where music from the operas was played and it was most interesting.

I was wondering if you knew very much about these two operas and what you could share with us regarding them.

also what is your opinion of listening to and watching operas performed in Russian?

thanks,

eM.:(

i think you might have over looked my questions. they are all meant in a serious manner and no intimidation is intended in any way. seriously. i am just curious about these two operas as they play such a major role in the life of Shotakovich.

thanks again.

eM.:(


i mean give me a little consideration, as i took your interesting thread to page 9
 
Don't know what Peto would say, but IMHO, opera singers do not change light bulbs. There are tech crews to do that sort of thing.
 
robbieadam said:
How many opera singers does it take to change a light bulb?
Don't know what Peto would say, but IMHO, opera singers do not change light bulbs. There are tech crews to do that sort of thing.

:rolleyes: Actually the answer is...

They don't need to. If they sing loudly enough it will break :wink:
 
Hey Peto!

I've got a couple questions regarding Richard Strauss. I know we have touched on the subject earlier in this thread, but I'd really like your input here.

Of Richard Strauss' operas I have Salome, Elektra, Der Rosenkavalier, Die Frau ohne Schatten, Intermezzo, Arabella and Capriccio. I love them all for one reason or another, and the one I like the least is DFOS.

There are several other operas by Straus that I haven't heard or know anything about like Aridadne auf Naxos, Die ägyptische Helena, Die schweigsame Frau, Daphne and Der Liebe der Danae.

Of theses operas, the one I absolutely want to get is Ariadne aur Naxos. About the others I know absolutely nothing but their names. If you have listened to them, can you recommend which ones to get, and which recording?

I live in a cultural wasteland (I really do), and I have to resort to recordings to enjoy these operas.

I'm especially interested in your take (and best recordings) for Aridadne aur Naxos.

Grazie caro Peto.



I bet you ten to one you can find DVD of Operas also, you might reside in a cultural waseland but where you live dose not have to be one. Here something to get your collection started http://www.amazon.com/operas-that-knock-your-socks/lm/1SBCJUMIRDXQB
 
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