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Country Cousins

“We live in a zoo!” Frank whispered.

“Yeah, but I like the animals,” I told him.

Rory, this is a classic statement that I don't think any of us who follow you will ever forget. Thank you so much for your gifted writing.
 
Chapter Forty-Three - Otis, no not Otis - The Flash


Refo said I should keep a journal but I don't want to write much. He gave me a small recorder and I can speak into it. He said not to think about what I write or say, just say it. I want to just do it, not talk about it. But it's fun to talk into the recorder and then let Merle listen to it. I still think he sees me twice. This way he can hear me twice. He doesn't understand it, but that is how I feel most of the time.

Living in the barn is good. Everything happens there. Eating and sleeping and fucking. I am good at eating and sleeping. I was better at sleeping when Tyler was here, but Merle understands and helps me. Except he goes for walks around the barn in the night and sometimes I am alone. Being alone is scary.

I am not good at fucking, but that is because I don't get to do it much. Tyler said I could fuck him but I don't want to do that. Not the way he wants to do it. The only times I have fucked were with girls in the halfway house and not very often. One was nice. It was fun with her. She said I was fun, too. The other one was not nice at all. Nothing I did was good with her. She twisted around and it hurt. I had a hard time coming because she was always moving and grinding into me. It hurt a lot with her. Her name was Fawn and she was no fawn. She was more like a sheep I think, except I don't know much about sheep. She was big and hard to handle and never did what I planned.

So meeting Vicki the pretty girl today was a good thing. And running with Vince was also a good thing. I think today they are my two favorite people. Ok, that's all for now.

Hello Merle. Hello Merle.

Refo said I should talk more.

The workshop is a good place. Everybody works and then we take a lunch break and then we work more. But I don't work much. I try, but I am not good with the tools. I am good at sanding. And I am good at lunch. Today for lunch Vince and I ran in the fields. He is getting faster but I still beat him. He makes me laugh and he doesn't care if I laugh at him. I laughed at him a lot today because he is funny when he hurts himself.

And then I met Vicki the pretty girl. She said, “Why is Vince limping?” I laughed. She said I should not laugh if Vince hurt his foot and I said he didn't. He banged his balls on the fence railing and I laughed again. She said I shouldn't laugh at that either. But Vince makes me laugh. He always tries to protect his balls and he loses the race because of it. And then he bangs his balls on the fence rail anyway.

Ouch she said and then she cried. I don't know what to do when people cry. People cried a lot in the half way house. So I flashed her and that made her smile. That is not what people do when I flash them. They usually scream. She smiled but did not look at me much.

What is wrong I asked her. She said she was lonesome. And I said that is because I hear Will is fucking Sarah Felsen. And she asked who I heard that from. And I said no one. I hear them doing it because my bedroom is next to theirs. Then I told her Sarah Felsen is very happy all the time and she cried again.

I do not know what to do when people cry. I held her hand and asked her to stop. I fidgeted. She said stop fidgeting. I told her my penis was hard and I couldn't stop fidgeting. Show me she said. I did. She said I am handsome. She liked it when I fucked her. She said that was very nice. I said I can do it again. And she laughed. I liked it when she laughed. And she told me to lie back and she climbed on top of me. That was very nice. And she laughed again and said you don't quit, do you? And the next time was slow because sometimes I do quit. She kissed me that time. I'm not sure if I like kissing. Except sometimes I kiss Merle. And then we were done. And she said she liked me. And I said I like you too and I think I really do. It was a strange feeling and I was very happy. We went back to the shop and worked.

Hello Merle. Hello Merle. I want to sleep now Merle.
 
Rory,
Wow. The Flash. There's a sensitive human being in there that's severely damaged and trying to become normal.
He's not gay.

Will he and Vicky become an item, or will she wind up hurting him?

Refo is a good doctor - counseling him to keep the journal - to help him work through things, even though he may not understand the reasons right now.

I think the workshop is a good place - good people who care about each other and are working for the greater good - and who seem to genuinely care about each other.
 
I find the way you write Otis/The Flash quite intriguing! :=D:

His thoughts are basic, yet complicated. His actions are not exactly "innocent", but his motivations are. There is not a "naughty", devious, pretentious, insincere, bone in his body, nor ulterior intentions in his behavior. He simply is what he is! ..|

That is rare, and not all that easy to portray. You've managed to create quite an interesting character there! (group)

I have a feeling that he would understand ... perhaps more than anyone else ... when I say ... No Matter What ...

Keep Smilin'!! :kiss: (*8*)
Chaz :luv:
 
I truly like Otis/The Flash. As Chaz says, his innocence and truthfulness are what define him. I like how all the others respond to him and respect his unusual demeanor. I think many in our society would look at him as a half person even to the point of ridicule. He is the tender one of the group but is never looked upon as inferior. I look forward to more of his journal recordings.

Craiger
 
I agree with Chaz and others that your understanding of different people's personalities and your ability to describe/portray them is uncannily good. Thanks for sharing this story. I'm ready for more.
 
Chapter Forty-Four - Roy


“Tough it out, Roy.” That's what Tyler told me.

“Why should I tough it out? You're quitting school.”

“Yes, but I don't need school. A degree isn't going to make me a better artist. A degree isn't necessary at all for an artist. It IS necessary for a business man. Which is what you want to be.”

“What if you're a crap artist and you have to teach art at some school? You need a degree for that.”

“Meh. People teach at community colleges with only practical experience. I'm quitting and that's it. Refo thinks we have a chance at a major exhibition.”

“Major exhibitions are in New York and LA, not Washington. You have to show where there's a big market for art. People in Washington just buy commercial reproductions, prints, and stuff for hotel lobbies.”

“Yeah, but this is Brent Michaels. He's the guy who got Congress all pissed off and got fired over 'The Garage'.”

“Double-yew tee eff is 'The Garage'?”

“Dude ...” Tyler's comment was so dismissive. I hate it when he does that just because I'm a hillbilly business major. And then he showed me the book. “It's like 'The Decameron' of gay art,” he explained although I had no idea what that meant either.

What it was was an awesome display of every kind of gay sex you can imagine and some kinds that I'm still trying to figure out; and some of the pictures were hot enough for a fuck book. No wonder congressmen called it pornographic. I could feel myself getting hard just looking and 'naked art' hasn't got me hard since the first time I got fucked.

“This isn't making me feel any better,” I told him. He tried to take the book back and I held on to it. “Awesome … look at this dude … he looks like Vince, doesn't he? You think Vince's dick is that big?”

“How would I know? And don't drool on that picture. The book is out of print. Anyway, Roy, you can't quit school just because you're horny.”

“I could transfer to James Madison and commute from Mike's house. I could do that in September.”

“No, you couldn't. The deadline for applications was last May. You wouldn't get in until January and then you'd almost be finished here. You're stuck. Plus William and Mary is a better school. You either need to jack off more or find a hook-up.” Tyler paused and then smiled. “Don't look at me! I ain't fucking some hillbilly business major. I'm saving myself for a sculptor – they're good with their hands and stuff.”

“I'm gonna miss you when you're gone, Tyler.”

Which was true. Tyler was a great roommate. Clean. Paid his share of everything. Quiet, until lately. Would occasionally do my laundry. Pretty much perfect.

“What IS that ringtone?” Tyler asked with a grimace.

“The Sound of Money, from I Can Get It For You Wholesale.” I picked up my phone and my heart soared.

“Show tunes? Really?” Tyler laughed and shook his head.

“MIKE!” I exclaimed. “YES! OF COURSE! HOW SOON!”

“Does this mean I need to find someplace else to sleep?” Huge sigh from Tyler. “John Gooch has an empty bed, I think.”

“Do you mind? Not all night. Just for a couple hours. Mike wants to be home by tonight.”

Good old Tyler. Mike arrived fifteen minutes later and tried to tell me something about selling a dining room set in Virginia Beach; but he gave up once I got him naked. And then he told me he loves me. Usually I have to work him into to sayin' it. Butter him up and stuff. This time all I had to do was kiss him. And then a couple hours later he was gone again. It's gonna hurt being alone tonight but right now I'm still glowing.

And opening the windows to air out the room. It was a hot day though, no hint of a breeze. Tyler was such a bitch the last time saying he couldn't sleep because of the sex smell.

- - - Updated - - -

Chapter Forty-Five - Tyler


Dispossessed. Evicted almost. And the last time I couldn't sleep because the room smelled like cum for days … Which was so weird because they actually went to a motel. They must start cummin' just at the sight of each other. Not that I blame Roy. Mike is like a rock star; he can suck the air out of a room even when you think you're used to seeing him. It's easy to see why Roy wants to quit school. Easy, but still stupid. Love makes people stupid I'm convinced. Infatuation is enough, like with Otis. Why get all entangled?

So I pulled on some sweats, grabbed my sketch pad, and headed out for a couple hours of drawing whatever I might see to kill time. Before I was half way down the hall I realized sweats were the wrong choice. The day was already sultry and it wasn't even noon yet.

“Yo, Tyler Dude ...” came the call, as if Dude was my last name.

“Hey, Tony,” I answered, calling into the open door of a room identical to mine. I was always a little uncomfortable around Tony Dellasera. He was a hulking loudmouth who always seemed to try to embarrass people. He had one of those Northern accents that grates. And he always found a way to mention that William and Mary was his safety school. Yes, he was good looking in a swarthy way; but it was the kind of good looks that almost repelled your gaze, as if you might catch something if you looked at him too long. Plus, last year one night when he was drunk I sucked his cock. He has never said a word about that, so I am hoping he doesn't remember.

I'm not proud of that cocksuckin' business. In fact I wish I hadn't done it. A couple of beers made it seem like such a good idea and it just happened. Outdoors. Nighttime. Furtive and fast. I don't think either one of us really wanted to do it. But we did … or at least I did. He leaned back against a tree and let me. I never even pulled his pants down. Dick plus mouth equaled connection. And he zipped up quickly once it was over. It was a real 'boy, was I drunk last night' moment.

“Tyler, you have your sketch pad. You going out to draw?”

Duh! Obviously, I thought; but I said a polite, “Yes, sir,” and kept on walking.

“You want to draw me?” Huh? I turned in surprise. He stood in the doorway wearing a wife-beater and some loose shorts, his boxers, maybe. “I'd like something to put in my portfolio that's non-photographic. Maybe a caricature? If you can do that kind of thing. I'll pay you out of my first gig.”

My professor said to pick something challenging. Outside your comfort zone, he said. Tony was way out of my comfort zone; I felt on edge just being around him. The never-addressed, unresolved cocksuckin' business was only part of it. He was one of those people who just … “Sure. I can try – see if you like it.”

He locked the door as I entered his room. That was a sure sign of something and I knew it. What am I doing? I asked myself. But it was too late. Here we were in his room.

“I locked the door because I figured you'll want me to pose naked, right? And we don't want any sudden visitors, do we.” That wasn't even a question.

“Naked's up to you. I thought you just wanted a head-and-neck.” He already had the wife-beater off.

“That would be good, but a full body would be ok, too.”

“Wouldn't somebody want a photograph for that? You can't fake a photo.”

“Yeah, well, I'll include that too. I just want to dress up the front and back covers. So I'll stand out in a pile of other guys.”

“Ok. Let's start with the head.” He sat on his bed with the light from the window nicely shading his face and I began drawing.

“So,” he began. Do all New Yorkers start conversations with 'so'? “So, we've been reading Streetcar in class. You know, the Tennessee Williams play?” I grunted a yes. “And the motivation is really confusing. Like why would Stanley even be interested in Blanche when he's already got Stella who's younger and hotter? So Stella was pregnant but that wouldn't have stopped Stanley. My dad said he thought I'd be born with a bunch of little dents in my head 'cause he fucked my mom on the way to the hospital.”

“I don't know the play,” I told him and continued drawing.

“It's like ... she annoys him like a fly and instead of swatting her he rapes her. Of course they're drinking a lot, but she knows she's pushing him to a dangerous point and she does it anyway. So, let me see how you're coming.”

“It's not nearly done,” I protested, but he got up and stood behind me. I thought it was a good likeness and I was in the process of adding more dramatic shadowing. I felt his hands on my waist and his breath on my neck. Oh, shit, I thought. He hooked his thumbs into my sweats and slowly pushed them down.

“You want this, don't you?” he whispered as he moved in. I could feel his cock brushing up against me. I told him no, but my erection betrayed me. “You've been wantin' this since you sucked my cock.” He bit my neck. It was no love bite; it was a real bite to hold me in place, the way a dog bites a bitch. He bent me forward and tried to force his cock into me. He spit in his hand, slicked himself up, and tried again. I felt his cock enter me part way and then it popped out. He tried and failed a couple of times and then snarled, “Let me in, God damn it!” He reached around and grabbed my cock with one hand and squeezed my balls with the other. I gasped in pain and he relented, at the same time getting his dick into me all the way. After a few thrusts he popped out again and let out a strangled cry of frustration.

Wanting to avoid any physical reaction and without thinking much, I told him to lie on the bed. I climbed on top of him and with my hand guided his cock into me. I rode him up and down careful to keep him inside me. To ease the pain I stroked my cock. He came almost as quickly as he did when I blew him. At the same time I lost control and came.

I came a lot. The first spurt left a trail of come from his pecs up his chest to his neck. The second spurt hit his face. He protested and the third spurt went right in his open mouth.

We were both still gasping as I cleaned him up with his shorts. “Sorry about the cum shots,” I told him. He just glared at me still trying to get his breath. I dressed hurriedly and went to the door.

“Tyler,” he called to me. “Come back Tuesday; my roommate will be out all night.”

I looked back at him. He lay naked on the bed with that awesome post-fuck look on his face. I felt dirty and used. I was disgusted with myself. “Ok,” I told him.

So was it really rape? Had I just been raped? Could I have stopped him? After we moved to the bed, I was in charge. I don't know. It was confusing. Yes, it was rape. No, it wasn't. Yes, it was. Well, sort of, it was. But I showed him how to do it right! I came! I told him I'd go back and do it again on Tuesday! Roy said it was rape and I could barely keep him from calling the campus cops. I was an idiot to tell him, but I guess I looked like shit and it just came out. I cried a little, feeling sorry for myself.

All I can say now is, if you have to get raped, it's best if the guy has a small dick. Just my advice - take it for what it's worth. Poor Tony. Five inches at best.

Tuesday he said, “I wasn't sure if you would come.” He barely raised his eyes to me.

“I wasn't sure either. I debated about it. But I want my sketch pad back, so here I am. And we're not repeating that scene.”

“No, of course not. I'm sorry. Truly sorry.” And he seemed to be as sorry as he claimed.

“You looked funny eating my cum,” I told him, figuring let's get it all out there.

“I bet,” he said, looking me in the eye for the first time. He looked very different without the sunlight coming in the window. He looked paler, less intimidating.

“So,” I said, unconsciously mimicking him, “Shall we get back to art?”

“Ok, I want to do the body sketch this time.” He was naked in seconds and asked, “How should I pose?”

“Well, you could ...”

He interrupted me. He came up and kissed me, softly but full on the lips. Instinctively my arms went around him and I felt him … this is so hackneyed … I felt him melt into me. Every fiber of his body was inviting me to his bed, but I had to take the lead. Except for his kisses, he was totally passive. He moaned when my cock first entered him and he showed pain when I fully penetrated. I hesitated, but he whispered, “No, do it.”

I think I gave him a pretty nice ride, nicely timing our climaxes to near simultaneity. He kissed me a lot when it was over and I was close to congratulating myself when he went serious.

“Awesome! NOW I get how Blanche felt. How she NEEDED to get fucked. The rape scene obviously wasn't satisfactory to either one of them, but tonight's kind of sex was what she wanted … needed really, even if she was getting old. She was grabbing for the last of her youth. That's what Williams was saying ...” He smiled at me in a totally detached way, as if we were talking in a Starbuck's.

“You fuckin' DRAMA MAJOR! All this shit just so you can understand some stupid plot in a play?” I was pissed off and couldn't really account for it, although this night's sex had been pretty sweet in my opinion. Not Tony's apparently.

“You need to understand externals to understand yourself,” he answered in the borrowed words of some professor.

“So you go around raping people and then makin' love to them? Just so you can 'get' some point in a play?”

“Why do you think I let you blow me last year? We were reading Rebel. I thought you understood. I needed to understand Dean's and Mineo's feelings for each other. Dean and Mineo were so awesome in that. And nobody knew they were actually gay. Doesn't the irony just blow you away?”

“How would you like a dick in your ass to blow you away?” I had no idea why I was so pissed off.

“Really? You got more?” He sounded like a doctor accepting a second pint of my blood.

I slow-fucked him and made him cum. He liked it and asked me back on Friday. “Eeehh, I'm going to Harrisonburg to work on an art exhibit Friday.” He made another offer. I hemmed and hawed. He asked again, add a 'please' and I said “Oh, alright, Tuesday.”
 
Well, well, well. . . Interesting episode.

. . . Thanks, Rory!
 
A very interesting double Header, indeed.

And your mention of the Garage brings back so many memories.
 
What an interesting twist. There were a couple in my class that I wish would have tried some of Tony's dramatic interpretations. Never happened... Tyler lucked out. Maybe he won't be quitting school after all. Tony is a bit more promising than Otis. At least on the reciprocal end of it all. He's a true friend making sure Roy doesn't drop out. Fun chapter, Rory, thanks.

Craiger
 
Knowing the fundamental concepts of "Method Acting", I'm thinking Tony might be taking it just a tad too far. :badgrin: :slap:

Lucky for Tyler, though! At least he doesn't seem to be minding all THAT much! :bj: :gaysex: (!w!)

Awesome chapter, Buddy! ..| (group)

Keep Smilin'!! :kiss: (*8*)
Chaz :luv:
 
Chapter Forty-Six - Refo


The phone call was alarming. “Refo, I have to warn you. Tyler was raped. He's acting – I don't know – weird. First he was all upset, but now he's totally offhand about it, like people get raped every day.”

“They do, I guess, Roy. Thanks for the warning.” Whoa! Rape! I tried to remember whether Sarah Felsen had ever been raped. Her sex life had always been so eventful, a lesbian here, a male twosome there … So I asked her outright.

“Sarah, have you ever been raped?” A couple of months ago I wouldn't have thought twice about asking, but recently with Will she seemed so young, almost innocent.

“Funny you should ask ...” She frowned until she had elicited the desired reaction from me and then laughed. “Kidding … No, I haven't been raped, unless you want to count really lousy sex.”

“Tyler was, apparently. He's coming for the weekend to work on the exhibit, and I don't really know how to handle it.”

“Play it by ear. See how he acts. Oh!” She gasped as Will grabbed her from behind. After he finished nuzzling her neck she gave him the most adoring smile I've ever seen, as if his walking into the room made her entire life perfect.

“I need to go back to school. One of my profs is having a 'beer symposium'. That means he invites a bunch of boys for beers at his house. Why do you suppose he never invites any girls?” Will wasn't looking for an answer; he just smiled and kissed Sarah so thoroughly I felt had to turn away. When I heard the door close I turned back to her.

“Sarah, you are looking ten years younger at least. Will, on the other hand, is looking a little haggard.” I meant it as a joke; Will looked fine.

Sarah heaved a sigh. “Refo, what am I going to do with him?”

“I'd say keep doing what your doing. You're happy. He's happy. What's the problem?”

“You KNOW what the problem is. I have a birthday coming up.”

“So does he. So do we all.”

She rejected my comment with a disgusted noise and watched Will drive away. “He's so ...” She left without saying what.

While I waited for Tyler's arrival I went to the old loft and arranged my photos along with his drawings. In a couple of cases I had tried to pose Otis exactly as Tyler had and essentially copy his drawing adding some super-saturation of color tones in a kind of homage to Andy Warhol.

The more I looked at my photos the less happy I was; they looked hackneyed and derivative. I needed to do something else with them; at best they served to make Tyler's work look even better. Maybe if I reformatted them as an echo in colors that resolved into Tyler's choices they would make an interesting companion piece instead of a stand-alone. That would minimize the Warhol-clone aspect and also enhance the appearance of Tyler's original drawing.

Tyler arrived and was no help. He was so excited about showing anything that he was willing to let the gallery do it all. Which they would I suppose, but couldn't we do it better, I asked him.

“I don't know, Refo. It's my first show. I have no experience with galleries.”

“Well, we don't need to settle anything now. I know you have other things on your mind.”

“Roy talked to you, I'm guessing.”

“Yes, he said you were raped.”

“Or … you could say getting involved with somebody didn't turn out exactly the way I hoped. I no longer think I was raped. I think the sex that I KNEW was going to happen wasn't exactly the kind of sex I wanted.”

“What do you mean?”

“I'd have let him fuck me if he'd been a little smoother about it. I knew if I went in his room we were going to have sex. He told me so a week earlier. And I went into his room. Eyes wide open. I just thought I'd get a kiss first.”

“He told you?”

“Well, not exactly. He said to a bunch of guys he needed to experience some kind of rough sex. He'd never done it and he wanted to. Something about motivation. 'The next person in my room is getting fucked, like it or not' he said in a context that specified the next person would be a female. But he said it looking right at me. And I had given him a blow job once when he was drunk. I thought he didn't remember, but I guess he did.”

“Still, by the feminist rules no is supposed to mean no, even if it's part of a big cock-tease.”

“I never told him no. I just felt kind of cheap and used when it was over. I conflated those feeling with rape in my head and Roy assumed … well, I don't know what he assumed. But it wasn't as brutal as 'rape' makes it seem. Plus a couple days later I fucked him back because he didn't understand the psychology of getting fucked or something. And he wants me to fuck him again. So what kind of a 'rape' is that?”

“Pretty strange.”

“So can we not talk about it any more. I'm over it. I'm not happy about it but my world didn't end. I'm not planning to go on Oprah and cry.”

I moved briskly to the subject Tyler was here for. “Soooooo … what do you think about this treatment of you profile of Otis? I shot him in the same position and then duped the image on different colors.”

“Awesome … the sequence of your photo overlays leads right out of the frame and into my drawing. So maybe if you didn't use a frame … But the colors … Were you trying to copy the gay rights colors? I mean, is that fair to Otis? He's straight, you know.”

“I wasn't trying to copy the colors. In fact I don't think they are a literal copy, although you're right, they do look kinda gay.”

“Maybe if you limit the colors … just kind of morph orange into the sepia of my background ...”

It was a good idea and it didn't take long to do. We admired the result in silence. We heard noise and the door and it was close to dinner time. Tyler closed the matter with a comment. “His name is Tony and I'm seeing him again. He's pretty sweet when he wants to be.”

Mike and Otis were in the kitchen talking about something and helping themselves to a beer. Otis lit up when he saw Tyler and then suddenly got shy, as if he was afraid to talk to him.

“Hey, it's The Flash,” Tyler greeted him with a smile.

“It's Otis today,” Otis replied and looked at the floor.

Tyler approached with his arms wide. “Ok?” he queried, asking permission for a hug and Otis leapt into his arms, only slowly backing away.

“I'm happy to see you,” Otis said formally.

Tyler hugged him again and I could see tears in his eyes. Otis, of course, didn't notice and began filling Tyler in on his activities. Some I knew about, such as what an unsatisfactory sleeping companion Merle was. Some was a surprise, such as what a superior companion Vicki was. And some was business, such as how close to completion the Smith finials were.

Willis and Sarah Felsen arrived next and I got serious about getting dinner on the table. When I had a chance, I asked Mike, “Vicki and Otis?”

He gave me big eyes and a shrug. “I guess. It sure sounds that way.”

In the morning I saw Otis first. He was all smiles and energy. “Tyler is best. I always sleep best with him. He is perfect in bed.” Merle took the implied criticism well and the two of them went out for their morning run.

Tyler came out later, less bubbly but still smiling. “He offered to fuck me. I asked him why and he said Vicki told him we all have to try to give other people what they want. I told him no and his relief was obvious. He very carefully kissed me once on the cheek and went to sleep.” Tyler rubbed his eyes briefly. “Why can't the whole world be like Otis?” Tyler's question had an ache in it. He blinked his eyes a few times and accepted the orange juice I gave him. “Are we going to meet the gallery people today?”
 
Interesting "transitions", and I'm not only talking about photos to sketches. :=D: ..|

TIME has a tendency of moving on, and the best we can do is adapt and flow with it. (group)

All the more reasons to ... No Matter What ...

Keep Smilin'!! :kiss: (*8*)
Chaz :luv:
 
This chapter has us all stopping to consider where everyone is, and where they really want to go.
 
There is certainly joy and sadness intertwined within this chapter. Life can be so simple if we let it, but the human tendency is to scowl at the simplicity and twist it into something entirely different. Otis has the perfect take on life.

It's good to get the real perspective on Tyler and Tony. Again, things can so easily be misconstrued.

I hope the gallery people are pleased with Refo and Tyler's efforts.

Craiger
 
Chapter Forty-Seven - Mike


It seemed to me like a good time for a celebration. I got an order for dozen reproductions from the store in Williamsburg and just hung up the phone on an order from Amanda Kellam for the restoration of a collection of “antique” school furniture. The pieces she wanted restored were old but not antiques in the sense of being valuable or even notable. She just wanted authentic and old for a conference room she was outfitting at a high school named after her great-great-uncle. Work is work to me; so of course I said yes.

Charlie my lawyer agreed to bring chicken for a dozen and I when I broke the news to everybody, I asked them to stick around for lunch. I noticed some frowns but they all agreed when I told them it wasn't some formal banquet – just a little party for the fact that the workshop would turn a profit on a fully allocated cost basis. I thought we were making money all along, but Will showed me we were only covering operating costs and Charlie told me I better get some God-damned workmen's comp insurance before somebody cut off a hand and ended up owning my whole farm.

“Mike, you have to take this seriously,” was all I ever heard from the two them these days. Where's the fun in workmen's comp insurance?

The Flash was the only one who was really happy about lunch, especially after I told him Refo, Frank, Tyler, and Merle were coming. Even on the days he seemed 100% Otis, I called him The Flash because he was such a hard worker. More than once I told him to take it easy; everything didn't have to get done at once. And more than once he told me he wanted to get all the work done the break because he needed a long lunch hour to run with Vince and fuck with Vicki.

I didn't ask him exactly what he meant by “fuck with”. Take him literally, I had been told. She seemed happy about whatever they were doing; and he was super-happy all the time lately. So, I'm guessing he's getting more than I am; I wished Roy had come for the weekend with Tyler, but he didn't.

After a brief discussion with Charlie and Will about ANOTHER kind of insurance, something called product liability insurance, we sat down for lunch. It was a simple arrangement, just a bunch of benches and chairs pulled together in a sort of circle.

“I brought the chicken,” Charlie announced, “kindly provided by our chairman ...” He pointed to me! Me! Chairman - of all the crazy things I've been called, I never expected to hear somebody say “Chairman” and actually mean it. “...so if you don't like it, complain to me, not your boss.”

The Flash said something in reply and I guess nobody could hear him. “What?” Will called out. “Stand up, Otis, and tell us.”

The Flash – Otis – stood and repeated what he said. “Mike is always giving me things. Usually it's words, but now it's chicken. I love Mike.”

That was awkward and a silence followed the way it does whenever somebody says something raw, totally honest and unexpected; but Otis didn't stop there. He continued.

“I also love Vicki because she taught me how to love.” The silence persisted. “And I love Tyler because he helps me sleep.”

Otis paused and looked around the room; then he continued. “And I love Refo because he helps me not worry. And I love Frank because he lets me stay in his barn. And I love Merle because he only tells me good things. And I love Willis and Sarah because they're like sunshine.” Otis paused for a breath. “And I love Vince because he's so handsome when he's naked and he makes me laugh.” With that, Otis sat down and began eating a drumstick.

Vince broke the astonishment. “I love you, too, Otis.”

That was just about the prettiest five words I ever did hear. And the way Otis and Vince looked at each other said more than the words. Plainly, they did love each other. Just about brought tears to my eyes. Everyone else's too. Suddenly the room was full of chatter, all expressions of love aimed at Otis. Vicki got up and kissed his cheek; and she whispered something that made Otis smile even wider.

I think that moment marked some peak of perfection in my life. A room full of complicated and not always nice people took a pause and expressed their honest affection for Otis and for each other, truth be told.

Otis broke the spell. In his always a little bit too loud voice, he asked, “Where is Yakov?”

“In New York,” Vince said.

“Why isn't he here?” Otis asked again.

“He went to New York to close up his apartment – he was going to move here for good. And temporarily he stayed with his mother.” Vince looked around the room. “His mother, who does not approve of me ...”

“That bitch!” Sarah Felsen blurted. “She never approves of anybody. She has driven away every girl … everybody,” Sarah quickly amended, “that Paulie ever liked.”

“Paulie?” Otis inquired.

“Yakov … Pavel … Paulie, all the same person,” Vince explained for him.

“A doctor told me I am two people,” Otis offered. “Yakov must be more confused than me.”

“He's not confused anymore. He's staying in New York for good,” Vince said. He declined to wallow in the sympathetic words he heard and threw the remains of his lunch in a garbage can. “Sooooo … this afternoon I'm installing the Smith finials. At least we can complete that job and get paid for it.”

“Can I help?” Otis asked eagerly. “Vicki said I need to work this afternoon and she'll cook dinner at her house tonight.”

Vince looked at me for approval and I nodded. The dinner t her house news attracted several peoples attention, but nobody said anything. “Sure,” he told Otis. “I could use some help.”

Lunch broke up after that and people went back to their jobs. I helped Vince pack what he'd need for the installation job. It wasn't much. Rubber mallets, a glue gun, a few pieces of balsam in case he needed to make a sleeve, and some polish for when they were done.

“She knows you're coming, right?”

“She knows it's today. I was planning to call her last thing with the exact time. So she can't plan anything … er … you know ...”

“Unfortunately I do know. You might could call her right from the gate.” Vince chuckled knowingly. Luna Smith's exploits had been discussed by everyone in the workshop. “Watch out she doesn't ...” I eyed Otis expressively, imagining Luna's potential interest.

“I'll guard him with my life,” Vince promised. He mussed up Otis's curls and said, “Ready, Otis?”

“You two get to have all the fun. I have to talk about insurance plans.” I watched them drive away dreading my afternoon lessons on product liability, workmen's comp, real property comprehensive, acts of agents, and who knew what else Charlie could come up with. Being the chairman definitely had drawbacks.
 
Poor Mike. Success rears its ugly head in those pesky things like insurance and safety!

Quite the interesting celebration lunch - a lot of touchy feely emotions on display, compliments of our Otis, aka The Flash.

He is definitely a different type person, but his unfiltered, raw reality is refreshing, unnerving, and challenging.
It does encourage the others to open up and be more open, too.

An intriguing and interesting chapter. Thanks.
 
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