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Eurovision 2022

[Ukraine] Kalush Orchestra - Stefania

[Spain] Chanel - SloMo

[Italy] Mahmood & BLANCO - Brividi
 
[Sweden] Cornelia Jakobs - Hold Me Closer
The most authentic song with the most convincing voice, and the best breakup song from Swedish artist since "It Must Have Been Love" by Roxette

She wrote the song after a breakup last summer, and fell in love with her co-writer David Zanden
 
[Poland] Krystian Ochman - River
River➜running water➜time
MV is gave me some thoughts about social anxiety disorder, about returning to social situations after the pandemic.

The most highly consistent live vocalist this year. He is the grandson of the Polish tenor Wiesław Ochman.
He was sick b4 National Final, even he's not physically 100% but still hit F5 flawless.
 
[United Kingdom] Sam Ryder - Space Man
My Top 2 male vocalist this year alone with Ochman, love them both already way b4 ESC.
 
[Netherlands] S10 - De Diepte
The most dark and depressed song/video combination, and her voice is haunting with lyrics and solid music mixed efficient.
Great work by director who made this poignant video did justice to the song.
There are lot of symbols definition and meaning... S10➜the moth, the boy➜the light, her affection like a moth to a flame.
After fighting scence the boy riding off and the next scence there's a guy in front of him➜the boy is Ride with Death.
The scence she's in the pool full of fallen leaves➜her heart like dead water,
she throw away all the food from fridge➜sometimes people thinks leaving is the way to close to their lost and reaching for immortality love.
I'm glad she's recovered from the past like the end of the video, this is my Top 5 favorite song and my absolutely #1 ESC MV of 2022.
 
[France] Alvan & Ahez - Fulenn
Witchcraft EDM of the year. It's very rare to heard breton a Celtic language song.

Alvan is full of energy every single time on live stage, such a charmer.
 
[Serbia] Konstrakta - In Corpore Sano
The most risky and unique artistic entry, this is masterpiece.

This song is at least about the health system. The main theme of this song is a dictatorial or quasi-dictatorial political system.
Listeners are especially confused by the word "knjizica" (medikal insurance). That word does not mean medical insurance, but a membership card as a sign of belonging to one political party. There was a membership card in the communist system (and I believe it still exists) and everyone who has succumbed to an ideology has a membership card (´´knjizica´´). This is how the party marks its soldiers. They must be identical, look perfect and propagate party ideology at all costs.
An "artist" is an ordinary man / woman who does not have a party card and is therefore an enemy.
At the beginning, she says "An artist must be healthy", which means that people with their souls and bodies must belong to that political system, they must be party soldiers.
But ´´ It is fortunate that there is an autonomic nervous system ´´ that controls the heartbeat without our will, and the heart says that such an ideology is completely wrong.
The artist has complete confidence in what her heart feels and that is why she does not have a memberschip card, which is why they cannot follow or control her.
Then she says "An artist CAN be healthy" and no longer "MUST be healthy" which means that a free man / woman can CHOOSE whether he will have a membrership card or not.
The constant pressure of the dictatorial regime is reflected in the end of the text
´´in corpore sano,in corpore sano,
in corpore sano,in corpore sano,
in corpore sano, in corpore sano´´
The artist is finally broken and finally looks like a party soldier ´´Corpus je sanus´´-the body ist healthly und ´´So what do we do now? ´´.
´´Animus tristis in corpore sano
Mens desperata in corpore sano
Mens conterrita in corpore sano´´
Then her spirit becomes perverted and destroyed ....
and in the end she asks the question to everyone again ´´So what do we do now?´´.

Here is an explanation behind the lyrics and performance:
Pontius Pilate washed his hands before the multitude, saying, I am innocent of the blood of this just person. This was to show the crowd he did not want Jesus dead but ordered his death because that is what the people wanted. He was washing his hands of the responsibility. The whole stage is a metaphor. She represents the health system washing hands of responsibility for artists without health insurance.
Mens sana in corpore sano (A sound mind in a sound body). The point artist is trying to make is that news media write and talk about health, supplements, diet, beauty, exercising... Meghan Markle was mentioned because in media there was an article about the most important issue for the survival of life on our planet, her hair. According to the media, a woman has to be beautiful, the artist has to be beautiful and healthy otherwise can not succeed. And artist asks: What about "Mens sana" part? The media do not care about the state of mind, people's spirit, mental health. On the contrary. Fake news, all sorts of lies are there to make us total idiots, ignorant about what really is happening around us, spreading belief that nuclear war can be won or that Putin is going to back down if enough pressure he is under, unaware of how close we are of destroying our home, Earth. Read lyrics carefully several times, and pay attention to lyrics at the end:
"A sick mind in a healthy body
A sad soul in a healthy body
A desperate mind in a healthy body
A terrified mind in a healthy body"
 
I can’t wait for this years event. It’s so exciting it’s taking place in Italy this year! How romantic
 
[Greece] Amanda Tenfjord - Die Together
The best bridge of the year. Come on boy let's "Dice" together:-<

I think she just won yesterday Jury show already.

Her Semi-final 1 performance still rock solid.
 
[Norway] Subwoolfer - Give That Wolf A Banana

Norway National Final performance

ESC Semi-final 1 performance

Their electronic dance number is heavy on the bass and the illusions to Little Red Riding Hood. But is the song — born in a pandemic — actually an allegory that calls on the world to protect the most vulnerable (including Grandma) from the coronavirus and vaccine skeptics (the Wolf)

For millennia the wolf has carried deep symbolism across religion, folklore and mythology, making it among the world’s most storied predators. The Bible repeatedly refers to wolves as a threat to the flock. Across thirteen references in the scriptures, the wolf becomes a metaphor for greed, destructiveness and even Satan himself. In the Book of Matthew, Jesus uses the ancient beast as an example of the dangers that will plague those brave enough to follow him. “Behold, I am sending you out like sheep among wolves; therefore be as shrewd as snakes and as innocent as doves.”

In a contemporary context, the group’s retelling of Little Red Riding Hood fits neatly with the pandemic. The Wolf (coronavirus) preys on everyone young and old — both Red and Grandma. But it’s Grandma who is most vulnerable, since, according to the wolf, she “tastes the best.”

The Wolf could be read in another way, too. Instead of being the literal coronavirus, the Wolf may represent people who refuse to get vaccinated and carry the virus with them as they go to work or school or, in this case, deep into the woods.

In the opening verses, Red makes it clear that she doesn’t know where the Wolf has burrowed or slept (and, drawn out, whether he’s followed local rules on gatherings and social distance). There are tell-tale signs he’s been killing folks, whether he knows it or not: “See where you’re going, but I don’t know where you’ve been, is that saliva or blood drippin’ off your chin?”

The fruit symbolises vaccines, and with them the Covid-fighting antibodies triggered inside of people who get jabbed. But instead of stamps that read Chiquita or Fyffe’s, these bananas come marked with the names AstraZeneca, Moderna and Pfizer.

Anti-vaxxers often justify their beliefs with crazy conspiracy theories. The rather far-fetched beliefs are in some ways reflected by Subwoolfer’s biography. It references a non-sensical “prophet” named Neil and some blatant lies, like calling the unknown Subwoolfer “the biggest band in the Galaxy” who have apparently “conquered the music scene on every planet.”

The wolf’s generic name Keith — or maybe it’s Jim — conveys the everyday threats carried by the everyday man, who, for whatever reason, refuses to get a jab. Whether the threat comes from a friend or colleague or stranger on the bus, Red knows it’s very real: “I like the scent of every meal on your breath, that hunger in you, I’m in danger now, I guess.”
 

I predicted Sweden, Poland, UK, Serbia (closed) at last 4 in running order... well still satisfied with this, 3 of my favorite vocalists all in 20~24.:gogirl:

Grand Final Running Order
1st half
①We Are Domi - Lights Off [Czech Republic]
②WRS - Llamame [Romania]
③MARO - Saudade, Saudade [Portugal]
④The Rasmus - Jezebel [Finland]
⑤Marius Bear - Boys Do Cry [Switzerland]
⑥Alvan & Ahez - Fulenn [France]
⑦Subwoolfer - Give That Wolf A Banana [Norway]
⑧Rosa Linn - Snap [Armenia]
⑨Mahmood & BLANCO - Brividi [Italy]
⑩Chanel - SloMo [Spain]
⑪S10 - De Diepte [Netherlands]
⑫Kalush Orchestra - Stefania [Ukraine]
⑬Malik Harris - Rockstars [Germany]
2nd half
⑭Monika Liu - Sentimentai [Lithuania]
⑮Nadir Rüstəmli - Fade To Black [Azerbaijan]
⑯Jérémie Makiese - Miss You [Belgium]
⑰Amanda Tenfjord - Die Together [Greece]
⑱Systur - Með Hækkandi Sól [Iceland]
⑲Zdob și Zdub & Advahov Brothers - Trenulețul [Moldova]
⑳Cornelia Jakobs - Hold Me Closer [Sweden]
㉑Sheldon Riley - Not The Same [Australia]
㉒Sam Ryder - Space Man [United Kingdom]
㉓Krystian Ochman - River [Poland]
㉔Konstrakta - In Corpore Sano [Serbia]
㉕Stefan Airapetjan - Hope [Estonia]
 
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I loved it, what a wonderful night. I could tell Ukraine would win right away. They were so good and so true to themselves. Hopefully the situation there will be a lot more peaceful soon
 
Another great year with a lot of songs I loved, my personal #1 favorite... still my queen Cornelia Jakobs, loved her since day 1 the 1st time I saw her at Melodifestivalen.
 
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