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I agree. I really don’t care if she did "drive" him to it. To me that’s irrelevant. I don’t care what the excuse was, how much of a cunt she might be, you don’t hit women in my book. Even if she does deserve it, it's for him to walk away from the situation. Not knock her front teeth out while she's holding your infant daughter and later proudly admit to it. That’s a unjustifiable offense right above child molestation and gay bashing. As a man, you just don’t do it imo.
But again, I had my mind made up that Mel Gibson was already a bigoted, self-righteous, psychotic piece of shit before these tapes leaked. He could thank inflicting the horrors of The Passion of the Christ and “sugartits” onto the world for that perception.
So as far as I’m concerned, he set his own self up with his arrogant, hateful demeanor. At this point I could care less about him as a person. He can just go and suck a fiery cock in hell.
Tbh, the only reason I’m posting in this thread at all is say hi to Fucker.Tell him that I missed him like Mel Gibson misses his daily lithium injections.
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Well, that’s what you get. I told you not to jump naked from off the chandelier like that. But no. You just had to show me that you could do a backflip and land safely onto my dick, all while blindfolded.![]()



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I think those were persoanl conversations that should have remained personal.
It has been a decade since Mel Gibson made The Passion Of The Christ and watched it become the biggest-grossing independent film with $612 million in worldwide ticket sales. In the years that followed, Gibson made several comments that went public, made him seem anti-Semitic and racist. They made him persona non grata at major studios and agencies, the same ones that work with others who’ve committed felonies and done things far more serious than Gibson, who essentially used his tongue as a lethal weapon. As a journalist who vilified Gibson in The New York Times and Entertainment Weekly until my coverage allowed me to get to know him, I want to make the case here that it is time for those Hollywood agencies and studios to end their quiet blacklisting of Mel Gibson. Once Hollywood’s biggest movie star whose film Braveheart won five Oscars and whose collective box office totals $3.6 billion, Gibson hasn’t been directly employed by a studio since Passion Of The Christ was released in 2004.
