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What? That is the building in which you could stomp your car as you drive along the curvy seaside road from Barcelona to Sitges... http://www.gaudiallgaudi.com/AA013.htmBodegas Güell, which is inside the beautiful Gaudí designed Park Güell
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Doesn't Barcelona have one of those gherkin buildings too? I seem to remember a large dildo looking building there.....
There is not much to understand: it's just one of those myths inherited from the Dark Age of the Sensibility in the XIXth century: the visual refinements discovered in it were just one more excuse to dodderingly praise anything related to A PART of the civilization of the Ancient Greek, particularly of the golden age of Athens.
I remember reading the idiotic texts of Asimov's universal pseudohistory praising the supreme greatness of the Parthenon, dictated by that infused decadent Victorian sensibility that is STILL the foundation of mainstream aesthetic values of the Western world.
Proving once again how you are blinded by your self-sufficient prejudices in art, history, Asimov and even in mathematics, and how you are hurt by them, rather than by me.Proving once again that you're equally ignorant on the topics of art, history, mathematics, and Asimov.
You know, it seems that there are an awful lot of people in the world who believe that aesthetics is purely subjective, and that functionality is the antithesis of art.
That's simply not true. There are such things as perfect forms, there are such things as universal beauties; all art should have a function, and that function should be served before the muse... and maybe I'm an idealist, but I do believe that if an object's only function is to provoke thought, the thought it provokes should not be "what the hell is that?"
Fashion becomes a problem with art when the people who are looking at it aren't trained to see it, they're only trained to either see what they expect to see and become enraged when their expectations are challenged or else to nod knowingly and say "I don't understand it, so it must be profound."
There are modern buildings that are breathtakingly beautiful; there are ancient buildings that are unforgivably ugly. There are buildings which depend completely on their context in order to be beautiful (think of the Forbidden City, bog-standard Chinese architecture elevated to the sublime by sheer scale) and buildings that are so pleasing to the eye that they look good anywhere (your basic Palladian four-square house, for example, suitable for town or country and any size you like).
There are shapes so beautiful that they come to symbolize entire cultures--the pyramids of Egypt, the temples of Greece and Rome, the cathedrals of medieval Europe, the pagodas of Asia, the teepees of the native American tribes--even though those forms do not represent the common architecture of those cultures.
There are things you can do with buildings that never ever look good... they certainly challenge the eye, but they do so with discomfort rather than stability: feats of engineering that make the building appear to float weightless are fascinating, but they're also terrifying to anyone who has to go up in them. They make the people who look at it every day uneasy, even if they don't know why.
For example, at SFMOMA there is a bridge over the central atrium that is made of transparent steel mesh... you walk out, you look down, and you see eighty feet of empty space terminating in a floor; and though you logically know you're perfectly safe, your body reacts anyway... it's the coolest thing I ever saw. But if I had to walk across that bridge every fucking day to get from my office to the potty, I'd be a basket case within the year.
Anyway, I could go on at this forever, but what I want to get across is that making a building a certain shape just because you can, or to challenge perception, is a waste of material. It might be terribly interesting to look at, but living in it would be a nightmare. Buildings are meant to be lived in, not just to be looked at... no matter how beautiful or interesting the form, if you can't live and work comfortably inside, then what in the world is the point?
I mean, I love a utility object that has been so cunningly designed that it is art; but an artistic dish-scrubber that doesn't scrub the dishes is useless.
and while you are at it, you can take our big orange statue:"The calling"?
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no tell me it fa da perosn Mamma fa happy birthday? marrigae is bliss
ZONNG ZONNG yes comin master! it alien megphone callin all da take ova da planet?
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PSSSST! anyone wanna by huge spreadin tree? very organic ya know ans latest in Kool thangs ta do
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Ha Ha, I never thought of it as a huge megaphone. But now that you mention it, it does look like that. Aliens taking over the planet! well that explains a lot!
UNLESSSSSS!!!!!!!![]()
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this is truly fugly...it does not belong at the Louvre
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That's what happens when you simply look at, without reading, understanding what you have in front of you... with this thread as with a building.Well, I was enjoying this thread.
It's becoming very painful to look at now.
BearBoi, listen to yourself! I'd hate to visit an efficient museum. That sounds like a recipe for ugliness right there. No museum worth visiting has ever billed itself as "Now able to fit 13% more paintings on the gallery walls. And now lit with refurbished IKEA compact fluorescents!" What a glum hopeless world that would be. I want museums with pointless angles and dubious floor plans and convoluted dead-end pathways that don't make sense and force you just for a moment to actually confront and experience the building you're in, instead of drifting through without awareness or interaction.
I quite like this one too:
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The one in Melbourne reminds me of it. I wonder if it is by the same architect. This one is Ontario College of Art by Alsop.

