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Richard Blanco - 2013 Inaugural Poet

In Centreal america was dude
wares smile so wide
alls a folk
just melt ans side
ans now ships get a nice ride
alls cause
folks in Centreal america
so luv
da dudes big wide smile

thankyou
 
One Today

One sun rose on us today, kindled over our shores,
peeking over the Smokies, greeting the faces
of the Great Lakes, spreading a simple truth
across the Great Plains, then charging across the Rockies.
One light, waking up rooftops, under each one, a story
told by our silent gestures moving behind windows.

My face, your face, millions of faces in morning’s mirrors,
each one yawning to life, crescendoing into our day:
pencil-yellow school buses, the rhythm of traffic lights,
fruit stands: apples, limes, and oranges arrayed like rainbows
begging our praise. Silver trucks heavy with oil or paper—
bricks or milk, teeming over highways alongside us,
on our way to clean tables, read ledgers, or save lives—
to teach geometry, or ring-up groceries as my mother did
for twenty years, so I could write this poem.

All of us as vital as the one light we move through,
the same light on blackboards with lessons for the day:
equations to solve, history to question, or atoms imagined,
the “I have a dream” we keep dreaming,
or the impossible vocabulary of sorrow that won’t explain
the empty desks of twenty children marked absent
today, and forever. Many prayers, but one light
breathing color into stained glass windows,
life into the faces of bronze statues, warmth
onto the steps of our museums and park benches
as mothers watch children slide into the day.

One ground. Our ground, rooting us to every stalk
of corn, every head of wheat sown by sweat
and hands, hands gleaning coal or planting windmills
in deserts and hilltops that keep us warm, hands
digging trenches, routing pipes and cables, hands
as worn as my father’s cutting sugarcane
so my brother and I could have books and shoes.

The dust of farms and deserts, cities and plains
mingled by one wind—our breath. Breathe. Hear it
through the day’s gorgeous din of honking cabs,
buses launching down avenues, the symphony
of footsteps, guitars, and screeching subways,
the unexpected song bird on your clothes line.

Hear: squeaky playground swings, trains whistling,
or whispers across café tables, Hear: the doors we open
for each other all day, saying: hello, shalom,
buon giorno, howdy, namaste, or buenos días
in the language my mother taught me—in every language
spoken into one wind carrying our lives
without prejudice, as these words break from my lips.

One sky: since the Appalachians and Sierras claimed
their majesty, and the Mississippi and Colorado worked
their way to the sea. Thank the work of our hands:
weaving steel into bridges, finishing one more report
for the boss on time, stitching another wound
or uniform, the first brush stroke on a portrait,
or the last floor on the Freedom Tower
jutting into a sky that yields to our resilience.

One sky, toward which we sometimes lift our eyes
tired from work: some days guessing at the weather
of our lives, some days giving thanks for a love
that loves you back, sometimes praising a mother
who knew how to give, or forgiving a father
who couldn’t give what you wanted.

We head home: through the gloss of rain or weight
of snow, or the plum blush of dusk, but always—home,
always under one sky, our sky. And always one moon
like a silent drum tapping on every rooftop
and every window, of one country—all of us—
facing the stars
hope—a new constellation
waiting for us to map it,
waiting for us to name it—together
 
hey Rico they no idea wot together is
SSSSSSSSSH"
ooh
but ya nose dat

anyway ears eyes ans skin gettin voice ta da ways world ova
but not enuff
bury away unda da 1st world eons a pile a shit
sold taday as fresh as new set a teeth
wot smile down
ans suck ya blood fa
bit a drink
but maybe got supa
in store
ans one day
they suck on it
befor
all a thang be dry
ans life be
bye bye


anyway

world civil awsums is
pollite every days allsways

happy porn day

tickyticky
 
Sloppy, when I'm elected President, you can be my inaugural poet.
 
Pat Grimshaw, you are the Black Hole for happiness and joy. Here we had an amazing poem recited today from a very talented poet that most of us had never been exposed to before, and all you can do is derail this thread and criticize this poet over his race and origins. Will you please shut the fuck up and let us enjoy this gay poet recite his beautiful poem about American life?


As for the poem, it was beautifully written. Thank you miaedu for posting the transcript of it on the thread. I was following along with your text while Richard Blanco was reciting the poem. It was amazing. Beautifully stated and read with such passion and conviction.
 
^
:eek: Oh Mary! Get back to Poppins' Land!

If you were paying attention you'd see that I'm not swept up in this Special Day of Sentiment, Hope and Glory for the USA; I'm concerned for the long-term viability of this (I assume) struggling wordsmith.
 
^
:eek: he doesn't LOOK Cuban or LOOK like the son of a refugee or even LOOK gay. He looks very comfortable and middle class.

^
I had assumed he was chosen for the purposes of being PC because this thread shows people are more interested in his background than his writing.

^
:eek: Oh Mary! Get back to Poppins' Land!

If you were paying attention you'd see that I'm not swept up in this Special Day of Sentiment, Hope and Glory for the USA; I'm concerned for the long-term viability of this (I assume) struggling wordsmith.

Mmmmhmmmm.
 
^
:eek: Oh Mary! Get back to Poppins' Land!

If you were paying attention you'd see that I'm not swept up in this Special Day of Sentiment, Hope and Glory for the USA; I'm concerned for the long-term viability of this (I assume) struggling wordsmith.

He has a teaching position in a creative writing program. I imagine he's doing just fine.
 
Pat Grimshaw, you are the Black Hole for happiness and joy. Here we had an amazing poem recited today from a very talented poet that most of us had never been exposed to before, and all you can do is derail this thread and criticize this poet over his race and origins. Will you please shut the fuck up and let us enjoy this gay poet recite his beautiful poem about American life?


As for the poem, it was beautifully written. Thank you miaedu for posting the transcript of it on the thread. I was following along with your text while Richard Blanco was reciting the poem. It was amazing. Beautifully stated and read with such passion and conviction.

Quote for truth.

Blanco knocked it out of the park.

And for anyone who wants to shit all over him...just fuck the fuck off.

And frankly Grimshaw, I think the whole of JUB is fed up to the teeth with the grinding and insinuating racism and malevolence you seem to introduce into every thread.

The US should be very proud that an openly homo poet was invited to address the nation at the inauguration. It is a message not only to the American people but to the rest of the world.
 
^
:eek: Oh Mary! Get back to Poppins' Land!

If you were paying attention you'd see that I'm not swept up in this Special Day of Sentiment, Hope and Glory for the USA; I'm concerned for the long-term viability of this (I assume) struggling wordsmith.

tumblr_m9cjkyfL9l1rwkr8go1_500.gif


Nobody cares what you, of all people, are concerned with, Pat! Everyone in this thread is here to enjoy the talent of this poet and the historical significance of his speaking. Stop derailing happy threads like this with your gloom and despair. :rolleyes:
 
brownshoesbrownshoesbrownshoes
not a shoes a brown
sure get nice crop
ans alls get stuff
gurd
wen alls brown shoes
ans not shoes
make a brown
crop keep cummin
alls da time
ans neva a brownshoe
end up
a canoe
in sea a white
doodoo

there go

thankyou

licks foot
 
brownshoesbrownshoesbrownshoes
not a shoes a brown
sure get nice crop
ans alls get stuff
gurd
wen alls brown shoes
ans not shoes
make a brown
crop keep cummin
alls da time
ans neva a brownshoe
end up
a canoe
in sea a white
doodoo

there go

thankyou

licks foot
Great poem, but I haven't been elected yet, let alone inaugurated. Now you have to write a new one.
 
Poet Richard Blanco reads a poem for President Obama's second inauguration. Blanco is the first Hispanic and openly gay man to read the inaugural poem.


One Today

One sun rose on us today, kindled over our shores,
peeking over the Smokies, greeting the faces
of the Great Lakes, spreading a simple truth
across the Great Plains, then charging across the Rockies.
One light, waking up rooftops, under each one, a story
told by our silent gestures moving behind windows.

My face, your face, millions of faces in morning’s mirrors,
each one yawning to life, crescendoing into our day:
pencil-yellow school buses, the rhythm of traffic lights,
fruit stands: apples, limes, and oranges arrayed like rainbows
begging our praise. Silver trucks heavy with oil or paper—
bricks or milk, teeming over highways alongside us,
on our way to clean tables, read ledgers, or save lives—
to teach geometry, or ring-up groceries as my mother did
for twenty years, so I could write this poem.

All of us as vital as the one light we move through,
the same light on blackboards with lessons for the day:
equations to solve, history to question, or atoms imagined,
the “I have a dream” we keep dreaming,
or the impossible vocabulary of sorrow that won’t explain
the empty desks of twenty children marked absent
today, and forever. Many prayers, but one light
breathing color into stained glass windows,
life into the faces of bronze statues, warmth
onto the steps of our museums and park benches
as mothers watch children slide into the day.

One ground. Our ground, rooting us to every stalk
of corn, every head of wheat sown by sweat
and hands, hands gleaning coal or planting windmills
in deserts and hilltops that keep us warm, hands
digging trenches, routing pipes and cables, hands
as worn as my father’s cutting sugarcane
so my brother and I could have books and shoes.

The dust of farms and deserts, cities and plains
mingled by one wind—our breath. Breathe. Hear it
through the day’s gorgeous din of honking cabs,
buses launching down avenues, the symphony
of footsteps, guitars, and screeching subways,
the unexpected song bird on your clothes line.

Hear: squeaky playground swings, trains whistling,
or whispers across café tables, Hear: the doors we open
for each other all day, saying: hello, shalom,
buon giorno, howdy, namaste, or buenos días
in the language my mother taught me—in every language
spoken into one wind carrying our lives
without prejudice, as these words break from my lips.

One sky: since the Appalachians and Sierras claimed
their majesty, and the Mississippi and Colorado worked
their way to the sea. Thank the work of our hands:
weaving steel into bridges, finishing one more report
for the boss on time, stitching another wound
or uniform, the first brush stroke on a portrait,
or the last floor on the Freedom Tower
jutting into a sky that yields to our resilience.

One sky, toward which we sometimes lift our eyes
tired from work: some days guessing at the weather
of our lives, some days giving thanks for a love
that loves you back, sometimes praising a mother
who knew how to give, or forgiving a father
who couldn’t give what you wanted.

We head home: through the gloss of rain or weight
of snow, or the plum blush of dusk, but always—home,
always under one sky, our sky. And always one moon
like a silent drum tapping on every rooftop
and every window, of one country—all of us—
facing the stars
hope—a new constellation
waiting for us to map it,
waiting for us to name it—together

A proud moment in history!
 
Making a Man Out of Me

I'm six or seven years old, riding back home with my grandfather and my Cuban grandmother from my tía Onelia's house.

Her son Juan Alberto is effeminate, "un afeminado," my grandmother says with disgust. "¿Por qué? He's so handsome. Where did she go wrong with dat niño?" she continues, and then turns to me in the back seat: "Better to having a granddaughter who's a whore than a grandson who is un pato faggot like you. Understand?" she says with scorn in her voice.

I nod my head yes, but I don't understand: I don't know what a faggot means, really; don't even know about sex yet. All I know is she's talking about me, me; and whatever I am, is bad, very bad. Twenty-something years later, I sit in my therapist's office, telling him that same story. With his guidance through the months that follow, I discover the extent of my grandmother's verbal and psychological abuse, which I had swept under my subconscious rug.

Through the years and to this day I continue unraveling how that abuse affected my personality, my relationships, and my writing. I write, not in the light of Oscar Wilde, Walt Whitman, or Elizabeth Bishop, but in the shadow of my grandmother--a homophobic woman with only a sixth-grade education--who has exerted (and still exerts) the most influence on my development as a writer.

http://www.huffingtonpost.com/richard-blanco/making-a-man-out-of-me_b_2507024.html
 
Making a Man Out of Me by Richard Blanco

I'm six or seven years old, riding back home with my grandfather and my Cuban grandmother from my tía Onelia's house.

Her son Juan Alberto is effeminate, "un afeminado," my grandmother says with disgust. "¿Por qué? He's so handsome. Where did she go wrong with dat niño?" she continues, and then turns to me in the back seat: "Better to having a granddaughter who's a whore than a grandson who is un pato faggot like you. Understand?" she says with scorn in her voice.

I nod my head yes, but I don't understand: I don't know what a faggot means, really; don't even know about sex yet. All I know is she's talking about me, me; and whatever I am, is bad, very bad. Twenty-something years later, I sit in my therapist's office, telling him that same story. With his guidance through the months that follow, I discover the extent of my grandmother's verbal and psychological abuse, which I had swept under my subconscious rug.

Through the years and to this day I continue unraveling how that abuse affected my personality, my relationships, and my writing. I write, not in the light of Oscar Wilde, Walt Whitman, or Elizabeth Bishop, but in the shadow of my grandmother--a homophobic woman with only a sixth-grade education--who has exerted (and still exerts) the most influence on my development as a writer.

http://www.huffingtonpost.com/richard-blanco/making-a-man-out-of-me_b_2507024.html

The rest of the article is well worth a read.

I would actually go out of my way to dig up that cunt's corpse, fuck her skull and then piss on the rest of her remains.
 
The rest of the article is well worth a read.

I would actually go out of my way to dig up that cunt's corpse, fuck her skull and then piss on the rest of her remains.

?

even a Rico of make poet figa no 1 thang make da boat sink or float
1st world wanna learn a read unless avoid da obvious ans-classfied- ooh

anyway 13 comments
600 view
unless rong hole
ta slip a goo
* ooh ooh ooh *

anyway

inta emoty box a nothin
ans poof

thankyou
 
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