Re: Ever been so bothered by a subject you couldn't even sit through a movie about it
Freaks
The movie was adapted by Al Boasberg, Willis Goldbeck, Leon Gordon, and Edgar Allan Woolf from the short story Spurs by Tod Robbins. Browning, famed at the time for his collaborations with Lon Chaney and for directing Bela Lugosi in Dracula (1931), took the exceptional step of casting real people with deformities as the eponymous sideshow "freaks", rather than using costumes and makeup. Director Browning had been a member of a travelling circus in his early years, and much of the film was drawn from his personal experiences. He intended to portray the classic moral of how outer beauty does not necessarily equate to inner beauty. In the film, the physically deformed "freaks" are inherently trusting and honorable people, while the real monsters are two of the "normal" members of the circus who conspire to murder one of the performers to obtain his large inheritance.
Reaction to this film was so intense that Browning had trouble finding work afterwards, and this in effect brought his career to an early close. Because its deformed cast was shocking to moviegoers of the time, the film was banned in the United Kingdom for thirty years.
In 1994 the film was selected for preservation in the United States National Film Registry's archive of cinematic
treasures.
I was taken to see this film by an ex. who was a drama critic and film reviewer. I watched about 15 minutes of the film and without excusing myself or anything i walked out of the theatre. He came out a few minutes later. He started in with rationales that this was a "film classic." My response was - I do not want to hear about it or discuss it ever again. This is something I shall never forget that you have brought me to. We went for coffee and tea and snack - I never spoke the rest of the evening and when we got back to his place, I walked directly to my car and drove away. We did not speak for days.
I was enrolled in a special program to place trained personnell into the courts who would interact with children who had been sexually abused. Rather then them being questioned by several persons from various agencies - the legislature had decided a "gate keeper" would do the questioning of the child and all questions would be filtered through that person.
During the training, confidential - confiscated films were brought to our classes by members of the police departments and FBI. The room was in a lock down situation, meaning no one could enter the room once a film was being shown and if one left the room during the showing of a film you could not return for any reasons. We viewed films that were made here in the states and in eastern Europe of children from ages 3-4 into their teens - some of these individuals were "trade" - children bought for sexual purposes of making films but also for prostitution.
One film, in the third week of this class dealt with the sexual child abuse of a youngster in 6-8 years of age. After about 10 minutes, i picked up all of my things and notified the instructor i was leaving the room. While i remained in the program for another year with the mentoring or two professors, when ever it came time to show any of those films, I immediately left the room. I can tell you that i have never forgotten what i saw in that film. That an adult male could do the things that were done and laugh and talk about it while ccommitting those actions was beyond anything i have ever seen since.. You have no idea of what types/kinds of films there are out there being bought and traded amongst "average-normal adults.?"

The Program Law and Order Special Victims Unit did a two part program on this very issue about 5 years ago, and in my judgment from the information and experieces i had had through the above program and other training situations, they truly did a first class job of telling the public of what is really going on in various nations throughout the world, including to a large degree right here in the United States. And it all comes down to one item - $$$$$.
eM.
