M
Matt89
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I am buying a physical copy so I will be listening again. Does that count? lol.
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The Official MADONNA Discussion Thread!
- Thread starter Christopherb36
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MDNA is officially out, y'all. Go get it! 
FanofFiction
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In the car on my way to the store now...
"Girl Gone Wild" (Uncensored Version)
http://www.youtube.com/watch?v=tYkw...DvjVQa1PpcFOOqQgCcYM-AIHCE3rdWRqg_qdE3JGmRoM=
Includes nudity. M sure is giving her gay male fans what they want! Haha
JON KORTAJARENA <3
Gemini_Valley
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Within the past few years I've become more and more of a Madonna fan. Started with purchasing Celebration, Confessions on a Dance Floor, Bedtime Stories (my favorite album from her), and various other singles. I'm liking MDNA more then I thought, it's everything that I expect in a pop album: upbeat, sexy, loud, and fun.
Callum
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Best tracks are the William Orbit ones. Which was expected, really...I do enjoy Gang Bang!
freshjock90
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"Girl Gone Wild" (Uncensored Version)
http://www.youtube.com/watch?v=tYkw...DvjVQa1PpcFOOqQgCcYM-AIHCE3rdWRqg_qdE3JGmRoM=
Includes nudity. M sure is giving her gay male fans what they want! Haha
I like how at 50 something she is doing more dancing in this video than Britnay Spears has doen in her last three. Britney needs to get off her lazy butt and start dancing again. If you can't move your legs then by golly give me some fierce arm action.
Love the video
FanofFiction
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I actually love the album. Spent the extra 5 bucks and got the deluxe edition. I'm glad I did. Beautiful Killer is one of my favorite tracks... Huge fan of I'm a Sinner... It's a very good album.
freshjock90
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'Britney Spears'
'MDNA,' Madonna's great new CD, is an exhilarating return to her pop-dance past
5 stars out of 5
NY Daily news
The 53-year-old superstar turns back the clock on her latest disc.
On her latest CD, Madonna chirps through a rash of odes to puppy love, blows out the biggest bubblegum song of her career (“Give Me All Your Luvin’”), and corrals the whole disc under a title that cheekily refers to a hallucinogenic drug.
Do these sound like the moves of a 53-year-old mother of four to you?
In fact, much of “MDNA” — out Tuesday — has more the flip zip of a disc by Katy Perry or Ke$ha than something by a woman who may be older than both their mothers. Then again, we are talking about Madonna, a woman who, at this point, seems just as hellbent on giving the finger to expectations about age that she once gave to assumptions about sex.
That stance alone might be enough to give Madonna’s youthful channelings a sense of defiance rather than desperation. But the music itself is what makes her flagrant act of regression not embarrassing but both pointed and exciting.
“MDNA” expands on the best elements of Madonna’s last CD, 2008’s “Hard Candy,” her most easily embraced disc since her very first. For “Candy,” the singer abandoned her least attractive feature — her self-importance. Finally, Madonna stopped marring her albums with songs meant to educate us about starving children, world politics or (gag) spiritual growth. Instead, she gave fans what they wanted all along: pitched dance anthems that doubled as smart pop songs.
Once again, upbeat tracks dominate “MDNA.” The sole ballad, the droopy “Masterpiece,” comes from another source: the soundtrack to the Madonna-directed bomb of a film “W.E.” Better, Maddy has ditched that post-“Evita”/post-elocution-lessons voice to sing again like either a snotty or an ironically innocent imp. In “Turn Up the Radio,” she sounds blissfully infantile. In “Girl Gone Wild,” she plays teen bad girl with nutty verisimilitude.
It helps that the songs themselves have so much snap coursing through them. “I’m Addicted” and “Some Girls” have the dark disco élan of druggier dance club anthems — just the thing for your next trip into a K-hole. “I’m a Sinner” and “Superstar” show a Cee Lo-style love for ’60s Day-Glo pop. They rate among her zippiest songs ever.
So many good tracks crowd the disc, in fact, that even the four extras on the deluxe version rate as must-owns.
The dance songs that dominate aren’t pushing mainstream club music ahead, as Madonna did on albums like “Erotica” or “Ray of Light.” But they’re in step with the most pleasurable tics and beats of now.
Some listeners will see the aftermath of Madonna’s divorce from Guy Ritchie reflected in the lyrics. But the four cuts that promise to be the most autobiographical contradict each other. Two strike an apologetic or regretful tone (“Best Friend” and “I F--ed Up,” both in the deluxe version). The other pair turn vindictive (“I Don’t Give A,” and “Love Spent”).
The only song that inescapably mines Madonna’s life for material — “I Don’t Give A” — reads as too literal and, so, self-indulgent. Worse, it suffers from a draggy melody. The song gossip-lovers may most wish were about her ex — “Gang Bang,” in which she imagines not just gunning a boyfriend down but chasing him into hell to do it again — is a hoot. It’s also historic. It may be the world’s first murder-ballad-as-disco song.
Better, the piece references Cher’s zippy ’60s hit “Bang Bang (My Baby Shot Me Down).” Couple that with a reference to “The Beat Goes On” in “B-Day Song,” plus Madonna’s queenly getup at this year’s Super Bowl, and it seems as if the star has, at last, fulfilled a goal many of us have long held for her: She’s becoming Cher.
Still, the album’s greater feat has a far more subversive, if not superhuman, dimension. It finds Madonna aging in the most nose-thumbing way possible — in reverse.
SOURCE
5 stars out of 5
NY Daily news
The 53-year-old superstar turns back the clock on her latest disc.
On her latest CD, Madonna chirps through a rash of odes to puppy love, blows out the biggest bubblegum song of her career (“Give Me All Your Luvin’”), and corrals the whole disc under a title that cheekily refers to a hallucinogenic drug.
Do these sound like the moves of a 53-year-old mother of four to you?
In fact, much of “MDNA” — out Tuesday — has more the flip zip of a disc by Katy Perry or Ke$ha than something by a woman who may be older than both their mothers. Then again, we are talking about Madonna, a woman who, at this point, seems just as hellbent on giving the finger to expectations about age that she once gave to assumptions about sex.
That stance alone might be enough to give Madonna’s youthful channelings a sense of defiance rather than desperation. But the music itself is what makes her flagrant act of regression not embarrassing but both pointed and exciting.
“MDNA” expands on the best elements of Madonna’s last CD, 2008’s “Hard Candy,” her most easily embraced disc since her very first. For “Candy,” the singer abandoned her least attractive feature — her self-importance. Finally, Madonna stopped marring her albums with songs meant to educate us about starving children, world politics or (gag) spiritual growth. Instead, she gave fans what they wanted all along: pitched dance anthems that doubled as smart pop songs.
Once again, upbeat tracks dominate “MDNA.” The sole ballad, the droopy “Masterpiece,” comes from another source: the soundtrack to the Madonna-directed bomb of a film “W.E.” Better, Maddy has ditched that post-“Evita”/post-elocution-lessons voice to sing again like either a snotty or an ironically innocent imp. In “Turn Up the Radio,” she sounds blissfully infantile. In “Girl Gone Wild,” she plays teen bad girl with nutty verisimilitude.
It helps that the songs themselves have so much snap coursing through them. “I’m Addicted” and “Some Girls” have the dark disco élan of druggier dance club anthems — just the thing for your next trip into a K-hole. “I’m a Sinner” and “Superstar” show a Cee Lo-style love for ’60s Day-Glo pop. They rate among her zippiest songs ever.
So many good tracks crowd the disc, in fact, that even the four extras on the deluxe version rate as must-owns.
The dance songs that dominate aren’t pushing mainstream club music ahead, as Madonna did on albums like “Erotica” or “Ray of Light.” But they’re in step with the most pleasurable tics and beats of now.
Some listeners will see the aftermath of Madonna’s divorce from Guy Ritchie reflected in the lyrics. But the four cuts that promise to be the most autobiographical contradict each other. Two strike an apologetic or regretful tone (“Best Friend” and “I F--ed Up,” both in the deluxe version). The other pair turn vindictive (“I Don’t Give A,” and “Love Spent”).
The only song that inescapably mines Madonna’s life for material — “I Don’t Give A” — reads as too literal and, so, self-indulgent. Worse, it suffers from a draggy melody. The song gossip-lovers may most wish were about her ex — “Gang Bang,” in which she imagines not just gunning a boyfriend down but chasing him into hell to do it again — is a hoot. It’s also historic. It may be the world’s first murder-ballad-as-disco song.
Better, the piece references Cher’s zippy ’60s hit “Bang Bang (My Baby Shot Me Down).” Couple that with a reference to “The Beat Goes On” in “B-Day Song,” plus Madonna’s queenly getup at this year’s Super Bowl, and it seems as if the star has, at last, fulfilled a goal many of us have long held for her: She’s becoming Cher.
Still, the album’s greater feat has a far more subversive, if not superhuman, dimension. It finds Madonna aging in the most nose-thumbing way possible — in reverse.
SOURCE
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FanofFiction
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I'm really sorry to hear you didn't love the album Huntneo... Were your expectations too high? Or were you expecting something else?
FanofFiction
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Yeah, I love that too. Rain is one of my all time favorites... and Take A Bow.
Mad Madonna still a ray of light
Four Stars
New York Post
Hell hath no fury like Madonna scorned.
In the four years since she recorded her last studio album, Madonna blew up her marriage to Guy Ritchie, made a tedious film about two supposedly glamorous Nazi sympathizers and allowed herself to be upstaged by M.I.A.’s middle finger in front of 111 million people. Distracted by ventures into clothing lines, fitness centers and international adoption, she drifted from her roots as a pop diva with a knack for popularizing cutting-edge electronic music.
Rage, however, seems to have focused the Material Girl on what she does best. With “MDNA,” she’s made her best record since 1998’s “Ray of Light.” It’s a collection of club tracks and confessionals that drops white-hot disco bombs with laser-guided precision.
Working with “Ray of Light” producer William Orbit, Italian electro producer Benny Benassi and French DJ Martin Solveig, she serves up a succession of intoxicating grooves that stand up to anything Lady Gaga and Beyoncé have sent up the charts.
Where Madge manages, at 53, to actually outpace her far younger peers is her willingness to lay bare the raw, jarring emotions of the past few years. Her break with Ritchie has inspired surprisingly catchy observations of hearts imploding — Sean Penn and Warren Beatty never worked her into such a lather.
“I Don’t Give A” and “I F - - ked Up” (available as a bonus track on the deluxe edition) capture two facets of the horror of being newly divorced. The first rails against the process — “You were so mad at me, who’s got custody? The lawyers suck it up, didn’t have a prenup” — but pledges that she’ll survive and move on. The second expresses the guilt and remorse of a woman who accepts her own role in the split: “I f -- ked up, I made a mistake. Nobody does it better than myself.”
Yet even at her darkest, Madonna keeps intact her legendary instincts for a killer hook. “Gang Bang” is a straight-up hater’s anthem. “I thought it was you, and I loved you the most,” she chants, “but I was just keeping my enemies close.” As the Orbit-produced bass track grinds through the mix like a tank tread, she merrily pronounces herself a proud assassin: “Bang bang, shot you dead, shot my lover in the head.” It’s an exquisite kiss-off that’s equal parts meditation on spite and rump-busting dance-floor workout.
While most of the album wades through the debris field of her failed marriage, there are glimpses of brighter times. “Girl Gone Wild” leans on Benassi’s thumping house production for a party track that could have easily been a single from her 2000 album “Music.” Then there are the breath-like keyboards on LMFAO’s remix of “Give Me All Your Luvin’ ” (another deluxe-edition cut) that sound like they were lifted straight from one of the Material Girl’s “Express Yourself” sessions.
Managing to find substance in fury and freedom in tears, “MDNA” is an uplifting testament to resilience. Better still, it’s evidence that Madonna has finally returned from her sojourn as a would-be Renaissance woman and to deliver an album with the guts and groove of her finest work.
SOURCE
Four Stars
New York Post
Hell hath no fury like Madonna scorned.
In the four years since she recorded her last studio album, Madonna blew up her marriage to Guy Ritchie, made a tedious film about two supposedly glamorous Nazi sympathizers and allowed herself to be upstaged by M.I.A.’s middle finger in front of 111 million people. Distracted by ventures into clothing lines, fitness centers and international adoption, she drifted from her roots as a pop diva with a knack for popularizing cutting-edge electronic music.
Rage, however, seems to have focused the Material Girl on what she does best. With “MDNA,” she’s made her best record since 1998’s “Ray of Light.” It’s a collection of club tracks and confessionals that drops white-hot disco bombs with laser-guided precision.
Working with “Ray of Light” producer William Orbit, Italian electro producer Benny Benassi and French DJ Martin Solveig, she serves up a succession of intoxicating grooves that stand up to anything Lady Gaga and Beyoncé have sent up the charts.
Where Madge manages, at 53, to actually outpace her far younger peers is her willingness to lay bare the raw, jarring emotions of the past few years. Her break with Ritchie has inspired surprisingly catchy observations of hearts imploding — Sean Penn and Warren Beatty never worked her into such a lather.
“I Don’t Give A” and “I F - - ked Up” (available as a bonus track on the deluxe edition) capture two facets of the horror of being newly divorced. The first rails against the process — “You were so mad at me, who’s got custody? The lawyers suck it up, didn’t have a prenup” — but pledges that she’ll survive and move on. The second expresses the guilt and remorse of a woman who accepts her own role in the split: “I f -- ked up, I made a mistake. Nobody does it better than myself.”
Yet even at her darkest, Madonna keeps intact her legendary instincts for a killer hook. “Gang Bang” is a straight-up hater’s anthem. “I thought it was you, and I loved you the most,” she chants, “but I was just keeping my enemies close.” As the Orbit-produced bass track grinds through the mix like a tank tread, she merrily pronounces herself a proud assassin: “Bang bang, shot you dead, shot my lover in the head.” It’s an exquisite kiss-off that’s equal parts meditation on spite and rump-busting dance-floor workout.
While most of the album wades through the debris field of her failed marriage, there are glimpses of brighter times. “Girl Gone Wild” leans on Benassi’s thumping house production for a party track that could have easily been a single from her 2000 album “Music.” Then there are the breath-like keyboards on LMFAO’s remix of “Give Me All Your Luvin’ ” (another deluxe-edition cut) that sound like they were lifted straight from one of the Material Girl’s “Express Yourself” sessions.
Managing to find substance in fury and freedom in tears, “MDNA” is an uplifting testament to resilience. Better still, it’s evidence that Madonna has finally returned from her sojourn as a would-be Renaissance woman and to deliver an album with the guts and groove of her finest work.
SOURCE
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FanofFiction
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Wow! That was a positive review! I don't know if it was the best since Ray of Light... I really loved Confessions. But it is better than Music, Hard Candy, American Life...
Blueboy369
JUB Addict
I love MDNA! Got the CD for free after buying tickets to see her show through ticketmaster. It's not the deluxe so I'll be buying the additional tracks from I-Tunes. I'm living for all the songs with the exception of "Birthday song". I'm on Madonna overload and I love it!
hylas
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ok ive been listening to it for a while now and im afraid im definitely coming down on the side of 'meh'. frankly, if this wasnt madonna, i probably would have already forgotten about it and moved on.
there are good moments on the album, no doubt. i like 'masterpiece', 'give me all your luvin', 'im a sinner', 'gang bang'... and 'girl gone wild', to which i initially had a very negative reaction, is kinda growing on me.
but there is just nothing here that is essential, in quality or style. its just 'another madonna record'. then, there are some truly clunky moments throughout, which i just find hard to forgive for such a professional backed by an army of producers and co-writers ('oh la la, youre my superstar!').
oh well.
there are good moments on the album, no doubt. i like 'masterpiece', 'give me all your luvin', 'im a sinner', 'gang bang'... and 'girl gone wild', to which i initially had a very negative reaction, is kinda growing on me.
but there is just nothing here that is essential, in quality or style. its just 'another madonna record'. then, there are some truly clunky moments throughout, which i just find hard to forgive for such a professional backed by an army of producers and co-writers ('oh la la, youre my superstar!').
oh well.
FanofFiction
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Superstar is the weakest for me as well. Or Birthday Song. But every album has a weak track or two.
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