RestlessDevil
Porn Star
Re: Mariah Carey's Memoirs of an Imperfect Angel Official Track List Revealed!
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You should know by now that I'm done with you.
I was talking about SexyKev in that particular comment.
But since you believe Whit has a "better" voice than Mariah (not sure what that means, BTW), I guess it applies to you, as well.
No, it's because you're unfair. You hijacked this thread and filled it with nonsense about Whitney, like she even matters here. Like I said, you are really insecure about Whitney, or else you wouldn't be here trying to tell the lambs how great she apparently is. You don't stick to unfavorable facts about Whit - you ignore them and keep shitting on Mariah and making up new ways to insult her. So yeah, you obviously have an inferiority complex.
To me, "better" means technical skill, but also other factors like warmth and "pleasantness", and last but not least the way the singer uses the voice. Mariah has an unfortunate love for reaching for notes well outside her comfort zone, as well as whispering too much.
She's an alto with soprano capabilities. Sometimes the high chest notes are there, sometimes they aren't. Like other singers, she can belt and push her voice to reach the notes, but they are still within her comfort zone. Regarding technical skills, they are two different singers. Mariah can do things with her voice (not JUST the whistle register) that Whitney couldn't dream of doing, and vice versa.
As for warmth and plesantness, that's entirely subjective, and I don't agree that Whit is better in that regard. Not at all.
If you're not insecure, then why are you here? I've noticed you trashing Mariah on other threads, as well. Yes, you are insecure about Whitney and her status. You are threatened by Mariah and have an axe to grind. Nothing you say now will ever change my perception of that.
OK, you insecure, inferiority-complex having hater. Whatever, then.![]()
Truth is, I think you both care what the other thinks. Which is why you annoy each other so much.
Mariah should not be releasing this cd. She knows it and the label knows it. Why else has it been pushed back 3 times? Its not a strong release and I doubt this will be the cd to put her back on top.
Her last cd didnt fair that well and 3 singles from it all bombed. I think Mariah would be best in taking some time off and coming back fresh. Yet she is releasing a cd that is clearly in trouble. The reviews are not good for this cd and with Madonna and Barbara Striesand both releasing cd's on the same day. It just makes it tougher for a cd that doesnt sound strong to reach the masses.
My question to the lambs in this thread is this. Why has Mariah never toured? Do you think its maybe because she is a boring performer? I mean who would pay to see her standing on stage with a fan blowing through her weave as she is posed so only one side of her face shows?
My opinion is the public has had enough of watching this 40 year old woman dressed in hello kitty and butterfly hair clips. Just look at her last singles sales. That alone tells the story.

New York Times Review...
MARIAH CAREY
"Memoirs of an Imperfect Angel"
(Island)
When exactly did Mariah Carey stop singing? Even when she began flirting aggressively with hip-hop in the mid-1990s she was happy to impose her titanic vocals atop even the scrappiest production. And no matter how grimy her surroundings became - Ol' Dirty Bastard, anyone? - she remained inexorably Mariah, an impenetrable acrobat of technique.
Of late though, Ms. Carey has been whispering, as if newly scared of grand gestures. In 2005 it made for a surprise success with "The Emancipation of Mimi," one of her best-selling albums, but also one of her most deceptive. Though the melodies were straightforward, Ms. Carey was working hard, imbuing them with vulnerability and ache even while keeping her vocal power in check.
That nuance is mostly gone on "Memoirs of an Imperfect Angel," Ms. Carey's 12th studio album, which manages simplicity and clutter all at once. "Memoirs" is produced almost entirely by Ms. Carey with The-Dream and Tricky Stewart, who are masters of compensation, helping elevate mediocre singers - like The-Dream himself or Rihanna, on "Umbrella" - to something sublime.
On paper Ms. Carey shouldn't need that help, but her collaborators have underdelivered with largely listless arrangements just as she has thinned her voice to a hush. (The Dr. Dre-esque stomp of "Obsessed" is a notable exception.) On "Betcha Gon' Know (The Prologue)," she's almost mumbling, and the talk-singing on "Ribbon" and "Inseparable" is typically the preserve of far worse singers.
Even more troubling are the perplexing, jumbled lyrics full of daffy references and batty assertions. On the unintentionally hilarious "Up Out My Face," she insists, "Not even a nail technician/ with a whole lotta gel and acrylic/ can fix this, when I break, I break." On "Obsessed," she tells an ex, "See right through you like you're bathing in Windex." (Inexplicably, two songs, "Standing O" and "More Than Just Friends," echo "Umbrella," a move unnecessary and outdated.)
"H.A.T.E.U." has some of the ease of her recent successes, and "It's a Wrap" swings with girl-group melody. But it's the vintage notes here that resonate most intensely. She lets her voice go at the end of "Candy Bling," a cold splash of water that reminds us what Ms. Carey can do when left unfettered. The same is true of the smoldering "Languishing (The Interlude)," which despite its language of self-improvement seminars, is Ms. Carey at her most astute, devastatingly precise in tone and feeling; notably, it's the only song on this album untouched by Tricky and The-Dream.
It bleeds into the closer, a cover of Foreigner's "I Want to Know What Love Is," that begins in surprisingly modest fashion. Then comes the gospel-choir backup and the glass-shattering high notes, restoring Ms. Carey to the role she was born for: a singer unafraid of pomp, of ambition, of herself. JON CARAMANICA
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I usually dislike reviews like that one, because usually it seems like the critic is just being arrogant for the sake of being arrogant, but after listening to the album (and BARELY getting through it, my god, it's horrible) I have to say it's right on the money. Right on.
Wow that review was harsh lol. But its ironic that the song that is like is an interlude and the-dream had nothing to do with.
